Svidrigailov is Raskolnikov's ideological counterpart. His theory is that "a single villainy is permissible if the main goal is good." But this is an extremely immoral person, so any goal that he sets for himself is good for him.
He committed a lot of atrocities in his life, human blood is on his conscience.
He committed atrocities in order to be free to choose how to live. S. was a card sharper, killed a servant, was in prison, guilty of the death of his own wife.
But at the same time, he does not consider himself a villain and is able to do good deeds. And indeed, Svidrigailov is ready to provide for Avdotya Romanovna, without requiring her to marry him, he wants to save her from marriage with Luzhin, because he sees what the latter is like.
Svidrigailov quickly deciphers Raskolnikov, the essence of his theory and his torment.
The image of Svidrigailov in the novel "Crime and Punishment" will be considered in this article. This character in the work is the second spiritual "twin" of Rodion Raskolnikov (the first is his sister's failed fiancé).
The image of Luzhin and Svidrigailov in the novel "Crime and Punishment" combines the principle of permissiveness. Outwardly, according to the character of interest to us, they and Rodion are "of the same field." However, there are very significant internal differences between Raskolnikov and Svidrigailov.
The second is a depraved, vicious person.
In the novel by F.
He does not hide the fact that most of the acts committed by him were done as a result of pathological voluptuousness. The image of Svidrigailov in the novel "Crime and Punishment" can be supplemented with a number of other features. This character sneers at morality.
M. Dostoevsky's "Crime and Punishment" widely used the technique of antithesis, it is based on the system of characters. Each of the characters surrounding Raskolnikov, to one degree or another, reveals a certain trait of the protagonist. Parallels are drawn between Raskolnikov and other characters, creating a kind of system of doubles. Raskolnikov's twins are, first of all, Luzhin and Svidrigailov.
For them, "everything is permitted", although for different reasons. Arkady Ivanovich Svidrigailov a nobleman, served two years in the cavalry, then lived in St. Petersburg.
This is a "well-preserved man" of about fifty. The face is like a mask and strikes with something "terribly unpleasant." The look of Svidrigailov's bright blue eyes is "somehow too heavy and motionless."
In the novel, he is the most mysterious figure: his past is not fully clarified, his intentions and actions are difficult to determine and unpredictable, non-standard for a scoundrel, for such a sinister character as he looks at first (for example, in a letter to Raskolnikov's mother).
It is strange that this adaptation of Crime and Punishment turned out to be less popular than Bortko's adaptation of The Idiot.
Even if both of them succeeded, "Crime" turned out better than you might expect.
The film, for all its plot simplicity, is very complex because the characters are complex. And the most complex character in the work is Svidrigailov. And I would never have thought that Alexander Baluev could fit into this image so perfectly. And so fit in that it was impossible to recognize Baluev himself. This is the height of acting. There was a very great danger that the image of Svidrigailov would be shown primitively, simply in the form of a villain.
Fortunately, this did not happen.
And the last scene in which he dreamed of a girl was also done just perfectly.
I did not see Raskolnikov's dream in the film, in which he dreamed of a laughing old woman.
Raskolnikov and Svidrigailov are the heroes of one of Dostoevsky's best novels Crime and Punishment. This novel is distinguished by the deepest psychologism and an abundance of sharp contrasts.
At first glance, the characters of Raskolnikov and Svidrigailov have nothing in common, moreover, they seem to be antipodes. However, if you take a closer look at the images of these heroes, you can find a certain similarity.
First of all, this similarity is manifested in the fact that both heroes commit crimes. True, they do this for different purposes: Raskolnikov kills the old woman and Lizaveta in order to test his theory, with the noble goal of helping the poor, destitute, humiliated and offended. And Svidrigailov directs all his vile energy to obtaining dubious pleasures, trying to achieve what he wants at any cost.
Raskolnikov and Svidrigailov are the heroes of one of Dostoevsky's best novels Crime and Punishment. This novel is distinguished by the deepest psychologism and an abundance of sharp contrasts. At first glance, the characters of Raskolnikov and Svidrigailov have nothing in common, moreover, they seem to be antipodes.
However, if you take a closer look at the images of these heroes, you can find a certain similarity.
First of all, this similarity is manifested in the fact that both heroes commit crimes. Truth. they do this for different purposes: Raskolnikov kills the old woman and Lizaveta to test his theory, with the noble goal of helping the poor, the destitute, the humiliated and offended.
And Svidrigailov directs all his vile energy to obtaining dubious pleasures, trying to achieve what he wants at any cost.
Suddenly she dropped the revolver.
Raskolnikov and Svidrigailov appear before readers as “strong” personalities.
“- Dropped it! - Svidrigailov said with surprise and took a deep breath. Something, as it were, suddenly left his heart, and perhaps not only the burden of mortal fear; Yes, he hardly felt it at that moment.
It was deliverance from another, more mournful and gloomy feeling, which he himself could not define with all his might. Svidrigailov, in control of himself, as in other cases a maniac who goes through obstacles and obstacles to his immovable goal, calmly and convincingly explains to Duna the motives and philosophy of the double murder committed by Raskolnikov.
Dunya is shocked, she is half-conscious, she wants to leave, but she is in captivity, Svidrigailov stops her: Rodion can be saved.
And he names the price: “... the fate of your brother and your mother is in your hands.
Svidrigailov is one of the defining characters of the novel. First of all, of course, decisive for Rodion Raskolnikov. using the figure of Svidrigailov as a guide.
Before Raskolnikov, Svidrigailov appears as a man who, despite the atrocities committed, continues to enjoy life. “Fifty years old ... His hair, still very thick, was completely blond and a little bit gray, and a wide, thick beard, descending like a shovel, was even lighter than his head hair. His eyes were blue and looked coldly, intently and thoughtfully; scarlet lips, ”the writer describes Svidrigailov’s appearance.
For the first time, Raskolnikov learns about this character from a letter from his mother, in which she describes how Svidrigailov, a wealthy landowner, sought the favor of Dunya, Raskolnikov's sister, who served as a maid in his house.
The novel "Crime and Punishment" was conceived by Dostoevsky while still in hard labor. Then it was called "Drunken", but gradually the idea of the novel was transformed into "a psychological report of one crime."
Dostoevsky in his novel depicts the collision of theory with the logic of life.
According to the writer, a living life process, that is, the logic of life, always refutes, renders untenable any theory - both the most advanced, revolutionary, and the most criminal.
So, it is impossible to make life according to theory.
And therefore, the main philosophical idea of the novel is revealed not in a system of logical proofs and refutations, but as a collision of a person obsessed with an extremely criminal theory, with life processes that refute this theory.
The "double" of Rodion Raskolnikov is Luzhin.
A minor character in Fyodor Dostoevsky's novel Crime and Punishment. An old nobleman, dreams of marrying the sister of the protagonist of the novel -. He learns about the murder committed by Raskolnikov, but promises to remain silent about it. Dodgy type, depraved and cynical.
The image of Svidrigailov was formed under the influence of diverse impressions. The psychological prototype of the character was probably a certain murderer Aristov, a nobleman by birth, who was imprisoned in the Omsk prison. This man has already been brought out in another work - “Notes from the Dead House”. The surname "Svidrigailov" is consonant with the name of the Lithuanian prince Svidrigailo, as well as with the German word geil, which translates as "voluptuous", "lustful".
In addition, while working on the novel, Dostoevsky drew on numerous materials and notes from magazines and newspapers that he read. Among other things, the writer read the Iskra magazine. One of the issues for 1861 contains a feuilleton, which speaks of a certain Svidrigailov, a “repulsive” and “disgusting” person who rampages in the provinces.
Arkady Svidrigailov is a tall, stout, round-shouldered gentleman in his fifties. He dresses smartly and gives the impression of a portly gentleman. He wears fresh gloves, an elegant cane and a huge ring with an expensive stone. Svidrigailov has a pleasant high cheekbones, a healthy complexion, not typical for a Petersburger, thick blond hair, in which gray hair barely breaks through, a thick “shovel” beard and blue “thoughtful” eyes.
The character is "well preserved" and looks younger than his own years. At the same time, Svidrigailov's youthful face looks like a mask and, for unknown reasons, makes a "terribly unpleasant" impression, and his eyes seem heavy and motionless.
By origin, Svidrigailov is a nobleman, a retired officer - he served in the cavalry for two years. The hero was married, but Svidrigailov's wife died. After his wife, there were children who live with their aunts, and, according to Svidrigailov himself, they do not need a father. The hero's children are well provided for. Svidrigailov himself was also rich before, but after the death of his wife, the hero's fortune deteriorated. Svidrigailov is used to living luxuriously and is still considered a wealthy man and dresses well, but what is left after his wife is hardly enough for the hero for a year.
Svidrigailov has an extravagant and unpredictable character. Other characters call Svidrigailov a voluptuous lecher, a scoundrel and a rude villain. The hero himself shares the opinion of others about himself as an idle person who died in vices, deprived of honor.
The hero also calls himself a boring and gloomy person, he admits that sometimes he sits in a corner for three days and does not talk to anyone, loves hot places and is mired in sins. Svidrigailov has no specialty or business to which the hero could devote himself; on this occasion, the hero calls himself an "empty man."
Raskolnikov also calls Svidrigailov "the most insignificant villain." Svidrigailov is in love with Raskolnikov's sister Dunya and wants to marry her. However, he himself is against this marriage and believes that Dunya should be protected from Svidrigailov. Svidrigailov is not interested in the opinions of others, however, when necessary, the hero knows how to give the impression of a decent and charming person from a good society. The hero is cunning and knows how to seduce ladies, he is inclined to show off and spread his tail.
Svidrigailov has many acquaintances in high society, so he still has useful connections. The hero himself used to trade in fraud and was a cheater - a card player who deceives partners. The hero was in the company of the same card swindlers who acted in high society and at first glance looked like the most decent people with refined manners, businessmen and the creative elite.
Eight years before the events taking place in the novel, Svidrigailov ended up in a debtor's prison, from where he had no means to get out. The hero had a huge debt that he could not pay. Svidrigailov was saved by Marfa Petrovna, who was in love with him, who bought the hero out of prison for "thirty thousand pieces of silver." The hero married Marfa Petrovna, after which he immediately left for his wife's estate, in the village. The wife was five years older than Svidrigailov and loved her husband very much.
For the next seven years, before arriving in St. Petersburg, the hero did not leave the estate and used the state of his wife. Marfa Petrovna seemed too old to the hero and did not arouse his love interest, so Svidrigailov directly told his wife that he was not going to be faithful to her. The wife took this statement with tears, but as a result, the couple came to an agreement.
Illustration for the novel "Crime and Punishment" Svidrigailov promised that he would not leave his wife and would not divorce her, would not go anywhere without the permission of his wife, and would not start a permanent mistress. In exchange for this, Marfa Petrovna would “permit” Svidrigailov to seduce young peasant women on the estate.
Svidrigailov raped a deaf-mute underage girl who later hanged herself in the attic. The guilt of the hero became known from a certain denunciation. A criminal case was opened against the hero, and Svidrigailov was threatened with exile to Siberia, but Marfa Petrovna again helped her husband get out and tried to hush up this case. Thanks to the money and connections of his wife, Svidrigailov escaped justice. It is also known that the hero drove one of his servants to suicide by endless torture and bullying.
Petersburg in the novel "Crime and Punishment" Dunya, the sister of the protagonist of the novel, Rodion Raskolnikov, worked as a governess in the house of Marfa Petrovna when she was still alive. Svidrigailov fell in love with Dunya and planned to seduce the girl with money and run away with her to Petersburg. Svidrigailov tells Duna that, at her behest, he is ready to kill or poison his wife. Soon, Svidrigailov's wife really dies under strange circumstances, but Dunya refuses the hero.
The girl believes that Svidrigailov terribly beat and poisoned his wife, but it is not known whether this is true. Suspecting the hero of the murder, Dunya takes the revolver that previously belonged to Marfa Petrovna in order to be able to defend herself on occasion.
Another illegal act of Svidrigailov is blackmail. The hero overhears a conversation between Raskolnikov and Sonechka Marmeladova. From this conversation, Svidrigailov learns about the murder committed by Raskolnikov, and decides to use this information to blackmail Dunya and force her to marry him. However, Duna manages to get rid of Svidrigailov. Later, the hero offers Raskolnikov money so that he can flee from St. Petersburg abroad and hide from justice.
The deceased wife begins to appear to Svidrigailov in hallucinations. The hero goes crazy and begins to do strange things, for example, he gives a prostitute three thousand rubles (a lot of money in those days) so that the heroine can start a new life. Soon after, Svidrigailov commits suicide - he shoots himself right on the street. This concludes the biography of the hero.
Svidrigailov in the novel appears as a double of Raskolnikov. The characters are related by the philosophy that they adhere to. Svidrigailov has a theory that is consonant with Raskolnikov's theory. Both heroes believe that evil committed in the name of a “good purpose” is not considered such an essential evil that the end justifies the means. Svidrigailov formulates his own life position of permissiveness as follows:
"A single villainy is permissible if the main goal is good."
The first meeting between Raskolnikov and Svidrigailov takes place as follows. The hero appears in Raskolnikov's closet when he is sleeping. Raskolnikov at this moment sees a terrible dream about his own crime and, half asleep, perceives Svidrigailov, who appeared in the room, as a continuation of the nightmare. A conversation takes place between the characters, during which Svidrigailov admits that at times he sees the "ghosts" of his dead wife and Filka's servant, who committed suicide through Svidrigailov's fault.
We are also talking about Dunya, to whom Svidrigailov has tender feelings. The girl refused Svidrigailov himself, but she is going to marry a lawyer whom she does not love, but is ready to “sell out” in order to improve the financial affairs of the family. Svidrigailov wants to give Dunya ten thousand rubles so that she can refuse a forced marriage and freely build her own life.
In 1969, a two-part film "Crime and Punishment" directed by Lev Kulidzhanov was released at the film studio named after him. The role of Svidrigailov in this film was played by an actor.
In 2007, the series "Crime and Punishment", filmed by Dmitry Svetozarov, was released on television. The series was filmed in St. Petersburg, the role of Svidrigailov went to the actor.
In 1979, he played the role of Svidrigailov in a play staged by the Taganka Theater. It was the last theatrical role of the actor.
The life principles of Svidrigailov are well described by the quote:
“Everyone thinks of himself and lives the most cheerfully, whoever is best able to deceive himself.”
“But why did you drive into virtue like that with all the drawbars?”
“Why leave women if I am at least a hunter for them? At the very least, an occupation ... Agree yourself, isn’t it an occupation of its kind?
“The fact that in his house he pursued a defenseless girl and“ insulted her with his vile proposals ”is it so? ... Here the whole question is: did I spit it out or was the victim myself? So what about the victim? After all, by offering my subject to flee with me to America or Switzerland, I, perhaps, had the most respectful feelings at this, and even thought of arranging mutual happiness!
To penetrate into the essence of the human soul, regardless of who it belongs to, the righteous or the murderer - that was the main goal of Mikhail Dostoevsky's work. Most of his heroes live in St. Petersburg in the 19th century. Nevertheless, the books of the great Russian classic are still interesting today. And not only in Russia, but also abroad. The image of Svidrigailov is one of the most interesting images of Dostoevsky. Only at first glance it may seem that this character is unambiguous. He is opposed to the protagonist of the novel "Crime and Punishment", however, he has much in common with him.
So what do we know about this hero? Svidrigailov Arkady Ivanovich - an acquaintance of Dunya Raskolnikova. Moreover, he is her admirer, passionate, unstoppable. The image of Svidrigailov emerges even before his appearance. Raskolnikov will one day learn about him as a low man, ready for anything for the sake of gain and pleasure. Of considerable interest is the mysterious story of Arkady Ivanovich. He, like the protagonist of the novel, once committed a murder. However, unlike Raskolnikov, he was not brought to trial.
Arkady Ivanovich is fifty years old. This is a man of medium height, burly, with steep and broad shoulders. An important part of Svidrigailov's image is smart, comfortable clothing. In his hands he always has an exquisite cane, with which he now and then taps. Svidrigailov's broad face is quite pleasant. A healthy complexion suggests that he does not spend most of his time in dusty St. Petersburg. Hair blond with grey.
What is the most important thing in the image of Svidrigailov, as, indeed, in any other? Of course, the eyes. At Arkady Ivanovich they are blue, they look coldly, intently, a little thoughtfully. Svidrigailov is a nobleman, a retired officer. He is a desperate man, as one of the characters said, "zabubenny behavior." Briefly, the image of Svidrigailov can be described as follows: a villain, a voluptuary, a scoundrel.
The characterization of Svidrigailov is very unattractive. Nevertheless, in the scene in which his death is depicted, he is able to arouse pity in the reader. The image of Svidrigailov in Dostoevsky's novel is considered to be the most striking negative. Still, this is a rather controversial character. Yes, he is a scoundrel, a libertine, an adventurer, a petty tyrant. But he is an unfortunate man.
One day he says to Raskolnikov: “My children need me. But what kind of father am I? He seems to be trying to denigrate himself, trying to seem more unpleasant and disgusting than he is. Perhaps the whole point is that Svidrigailov once committed a murder. He did not confess, did not repent. He believes in his impunity. Svidrigailov is cruelly mistaken. There is no crime without punishment.
Once Svidrigailov was a card sharper. He went to jail for debt. From there he was bought out by Marfa Petrovna - a middle-aged woman, but very rich. After his release, Arkady Ivanovich married her. True, a few months after the wedding, he declared that he could not be faithful to her.
Marfa Petrovna forgave her husband's infidelities. Moreover, once she did everything in order to hide the dirty story that led to the death of a fifteen-year-old girl. But then Svidrigailov had every chance to take a walk in Siberia. If not for his wife, who, by the way, later died under very strange circumstances. Dunya Raskolnikova believes that Arkady Ivanovich poisoned her.
Let us consider in more detail the characteristic features of Svidrigailov. What kind of story happened to him a few years before meeting Raskolnikov? What does this villain have in common with the main character?
Svidrigailov is a rather eccentric person. He is not at all interested in the opinions of others. As already mentioned, he is called "a man of tame behavior." He says strange things, takes his interlocutor by surprise with his shameless speeches. Perhaps he really is indifferent to public opinion. But another option can be assumed: Svidrigailov enjoys surprising, shocking others.
This is the most depraved hero in the novel "Crime and Punishment". Once he was cheating on his wife with peasant women with might and main. Later, having met Dunya, he was inflamed with passion for her. This killed the pervert. The girl will never reciprocate him. She despises him, and one day she almost kills him. Arkady Ivanovich is used to getting his way. When he realizes that he will never achieve goals in the person of Dunya Raskolnikova, he commits suicide.
Svidrigailov is an empty man. He is accustomed to idleness, lives in a big way. Svidrigailov's marriage itself is nothing but a gamble. He connected his life with a woman whom he did not love. Perhaps Svidrigailov is not at all capable of a deep feeling. He lives for the momentary pleasure for which he is ready to pay someone else's life. The time has come to tell the story, after which the reputation of a scoundrel has forever been fixed for Arkady Ivanovich.
Marfa Petrovna concluded a strange contract with her husband. Its essence was as follows: he would never leave her, he would never have a permanent mistress, while he would satisfy his lust with hay girls. One of the peasant women - a girl of 14-15 years old - was once found strangled in the attic. It turned out that Svidrigailov's cruel insult prompted her to commit suicide. This man had another death on his conscience. To suicide, he brought Philip - a peasant who could not stand the constant persecution.
The images of these characters are opposed to the main character. They are considered to be the twins of Raskolnikov. However, Luzhin, unlike Svidrigailov, and even more so the student who killed the old woman, is a rather simple character.
Luzhin evokes nothing but rejection. This is a well-groomed middle-aged gentleman, in whose expensive smart clothes there is something unnatural, fake. Unlike Svidrigailov, he got out of the bottom. Luzhin was not accustomed to idleness. He serves in two places, cherishes every minute. Finally, the main thing that distinguishes him from Arkady Ivanovich is rationality, prudence. This man will never lose his head because of passion. He wants to marry Dunya not because he loves her. Raskolnikov's sister is poor, which means she will be an obedient wife. She is well educated, which means she will help him take a higher place in society.
Svidrigailov learns about Raskolnikov's crime by eavesdropping on his conversation with Sonya. He, of course, will not publicize the secret of Rodion Romanovich. However, she excites, excites him. “We are of the same field with you,” he once says to Raskolnikov. But suddenly he notices incomprehensible tragic throwing in the student. A person with such a fine organization has nothing to commit a crime - so Svidrigailov believes, contemptuously calling Rodion's suffering "Schillerism".
Arkady Ivanovich suffered pangs of conscience only in the last days of his life. And they were too weak to lead to repentance. He, unlike Raskolnikov, could not admit his guilt.
In his famous philosophical and psychological work Crime and Punishment, Dostoevsky created a whole galaxy of vivid and ambiguous images that still amaze readers today with their complexity, brightness and eccentricity.
One of these characters in the novel is the rare scoundrel and scoundrel Arkady Ivanovich Svidrigailov. His image was created by the author in order to draw a parallel between him and the main character Rodion Raskolnikov, because they are in similar life situations: both of them committed a crime, had a “mysterious relationship” with an old pawnbroker. And although Svidrigailov calls them “berries of the same field” with Rodion, this is not entirely true, because he has long been on the side of evil and has no doubts about the correctness of his choice.
Arkady Ivanovich is a rather attractive and youthful fifty-year-old man of noble origin. He is well dressed and makes a favorable impression on those around him, although Raskolnikov subtly notices that his face with cold and thoughtful blue eyes and thin scarlet lips looks like a mask (and rather unpleasant), behind which its owner successfully hides his vile essence.
Svidrigailov is a former officer who left his service a long time ago and indulged in the idle life of a cheater in the capital until he fell into a debt hole. From there, a rich woman Marfa Petrovna rescues him, she pays all his debts, takes him to her village, where she becomes his wife. However, he does not feel a drop of love and gratitude for her, and continues to lead an immoral lifestyle there. The vicious and immoral Svidrigailov causes the suicide of a poor peasant girl of fifteen, whom he seduces and abandons. With particular sophistication and cruelty, he also drives the poor servant Philip to suicide. Moreover, having become the cause of the death of two people, Svidrigailov has absolutely no remorse, does not repent and calmly continues to lead his depraved life.
(Svidrigailov shamelessly flirting with Dunya)
Unlike Raskolnikov, who also committed a crime, and now suffered and tormented himself with the question of whether he had the right to do so or not, Svidrigailov is absolutely calm and confident in his actions. He does everything to satisfy his base desires, and he absolutely does not care whether other people suffer from this or not. His soul is no longer at the crossroads of good and evil, he is consciously on the side of evil and does not repent of any of his crimes, because he does not even consider them to be such. He lives, striving to further satisfy his lust, and the evil in him continues to grow and expand.
(Dunya shoots Svidrigailov, in the role of Victoria Fedorov, film by L. Kulidzhanova "Crime and Punishment", USSR 1969)
Having met Raskolnikov's sister Dunya in his house, who appeared there as a servant, the libertine Svidrigailov falls in love with her and begins to harass her. A pure and chaste girl angrily rejects his courtship, and he, in order to achieve what he wants, brings his wife to a terrible sin - suicide. Trying to persuade the girl to get in touch with him, Svidrigailov resorts to various tricks, blackmails her with revealing the secret of her murderer brother, but Dunya, driven to despair, shoots him with a revolver to stop this cruel and unscrupulous man. Only then does he understand how disgusting she is, and having truly fallen in love with this brave and pure girl, he lets her go.
(Svidrigailov to Raskolnikov:)
The image of Arkady Ivanovich Svidrigailov, a man without conscience and honor, was specially created by Dostoevsky as a warning to the main character, Raskolnikov, who he can become if he drowns out the voice of conscience and can live on without fully atoning for the crime he committed.
Svidrigailov worries and torments Rodion with his mysteriousness and power over him, with the words that they are "of the same field." In fact, this terrible person is the embodiment of his dark half, that part of Raskolnikov's soul, with which he constantly tries to fight, because it can lead him to a complete moral fall and switch to the side of evil.
(Petrenko Alexei Vasilyevich as Svidrigailov, Lensoviet Theatre, St. Petersburg)
Broken by the act of his beloved woman, Svidrigailov realizes how empty and meaningless his life is. His conscience begins to torment him, and in the last hours of his life he tries to somehow make amends with God and people: he transfers money to Duna, helps Sonya Marmeladova and her family. Belated remorse overtakes him and he, unable to bear this burden, commits suicide. He turned out to be too weak and cowardly, and could not, like Raskolnikov, repent and suffer a well-deserved punishment.
Dostoevsky's "Crime and Punishment" - the character of the hero of the sixties of the nineteenth century, a raznochinets, a poor student Rodion Raskolnikov. The crime is terrible, but I, like, probably, and other readers, do not perceive Raskolnikov as a negative hero; He looks like a tragic hero to me. What is the tragedy of Raskolnikov? Dostoevsky endowed his hero with wonderful […]
Attention
Raskolnikov is surrounded in the novel by characters who are, as it were, his “doubles”: in them, some side of the protagonist’s personality is reduced, parodied or set off. Thanks to this, the novel turns out to be not so much a trial of a crime as (and this is the main thing) a trial of the personality, character, psychology of a person, which reflected the features of Russian reality of the 60s of the last century: the search for truth, truth, heroic aspirations, "staggering" , "delusions".
Rodion Raskolnikov is associated with many people in the work. One of them is Luzhin and Svidrigailov, who are the “twins” of the protagonist, because they created theories similar to the theory of the “chosen ones” and “trembling creatures”.
“We are one field of berries,” Svidrigailov says to Rodion, emphasizing their similarities. Svidrigailov, one of the most complex images of Dostoevsky, is in captivity of a false theory.
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Rodion helps Katerina Ivanovna with the children. He is able to feel the human misfortune. Arkady is helping Katerina Ivanovna's daughter, Sonya.
Svidrigailov and Raskolnikov at the end of the work are aware of their own guilt. Arkady Ivanovich commits suicide, and Rodion, having learned about his death, confesses to the crime.
It turns out that these characters really have a lot in common. The differences between the characters can be represented in the form of a table. Raskolnikov and Svidrigailov: comparative characteristics (table) Rodion Raskolnikov Arkady Svidrigailov Appearance A slender brown-eyed young man with dark blond hair.
Important
Blue-eyed blond with red lips, broad-shouldered man about 50 years old. Landmarks and ideals, way of life He lives in isolation, develops a theory about a unique personality, is prone to philosophizing.
The hero of the novel, Rodion Raskolnikov, became a prisoner of this idea. The author of the work, wishing to portray the immoral idea of the protagonist, shows its utopian result on the images of "twins" - Svidrigailov and Luzhin.
Raskolnikov explains the establishment of social justice by force as "blood according to conscience." The writer further developed this theory. Svidrigailov and Luzhin exhausted the idea of abandoning "principles" and "ideals" to the end.
One has lost his bearings between good and evil, the other preaches personal gain - all this is the logical conclusion of Raskolnikov's thoughts. It is not for nothing that Rodion replies to Luzhin’s selfish reasoning: “Bring to the consequences what you just preached, and it turns out that people can be cut.”
In his work Crime and Punishment, Dostoevsky convinces us that the struggle between good and evil in the human soul does not always end in the victory of virtue.
The scene of action is “yellow Petersburg”, with its “yellow wallpaper”, “bile”, noisy dirty streets, slums and cramped courtyards. Such is the world of poverty, unbearable suffering, the world in which sick ideas are born in people (Raskolnikov's theory).
Such pictures appear one after another […]
XIX century, raznochinets, poor student Rodion Raskolnikov. Raskolnikov commits a crime: he kills an old pawnbroker and her sister, the harmless, ingenuous Lizaveta.
Murder is a terrible crime, but the reader does not perceive Raskolnikov as a negative hero; he appears as a tragic hero.
The protagonist of one of the most psychological works of Russian literature, the novel Crime and Punishment, is named after Rodion Raskolnikov. He is not like others, the troubles of ordinary people are alien to him.
Fyodor Mikhailovich Dostoevsky, on the pages of his work, introduces us to a kind of double of Rodion Romanovich - Arkady Ivanovich Svidrigailov. This hero declares his resemblance to Raskolnikov.
Are Raskolnikov and Svidrigailov really alike? Comparative characteristics will help answer this question. The appearance of Raskolnikov and Svidrigailov A comparative description of Raskolnikov and Svidrigailov is impossible without a description of the appearance of these heroes. They are completely different from each other. Rodion Raskolnikov is a handsome young man with dark eyes and dark blond hair.
He, like Raskolnikov, rejected public morality and wasted his life on entertainment. Svidrigailov, guilty of the death of several people, forced his conscience to be silent for a long time, and only a meeting with Dunya awakened some feelings in his soul.
But repentance, unlike Raskolnikov, came to him too late. But there is neither time nor strength to cope with himself and he puts a bullet in his forehead.
Svidrigailov - a man without conscience and honor - is like a warning to Raskolnikov if he does not obey the voice of his own conscience and wants to live with a crime in his soul that has not been redeemed by suffering. Svidrigailov is the most painful “double” for Raskolnikov, because it reveals the depths of the moral fall of a person who, due to the spiritual emptiness, has gone down the path of crimes.
Pain for man and humanity, compassion for violated human dignity, the desire to help people are constantly present on the pages of his novel. The heroes of Dostoevsky's novels are people who want to find a way out of life's impasse in which they find themselves for various reasons.
They are forced to live in a cruel world that enslaves their minds and hearts, makes them act and act in ways that people would not like, or whatever they would do while in other […]
Unrequited love for Dunya awakens humanity in him for some time, but the time for repentance has already been lost. However, before committing suicide, he still manages to do a good deed - to help the Marmeladov family with money. Character Business success left its mark on the character of Luzhin. This is a straightforward ambitious person, he evaluates people from the standpoint of the benefits that can be obtained from them.
Rational, practical, perceives only what can be touched, therefore it does not lend itself to emotions and intuition. To achieve their goals will use everything, moral boundaries do not exist in this matter.
Does not believe in honesty, disinterestedness, nobility. I am confident in my future success. Easily rejected established social morality in order to be able to indulge in pleasures. Rumored to be a rapist and murderer.
In the same way, Gogol's Petersburg is two-faced: a brilliant fantastic city is sometimes hostile to a person whose fate can be broken on the streets of the northern capital. Sad Petersburg Nekrasov - Petersburg front […]
The reader perceives what is happening precisely from the point of view of this character - an impoverished and degraded student. Already on the first pages of the book, Rodion Romanovich behaves strangely: he is suspicious and anxious.
Small, completely insignificant, it would seem, incidents he perceives very painfully.
