Puffer.
Colonel Skalozub - a type of careerist officer from the time of Arakcheev. Mentally, he is a narrow-minded person. “He didn’t utter a smart word,” Sophia notes. Lisa also agrees with this characterization of Skalozub: “Yes, sir, so to speak, he is eloquent, but not painfully cunning.” Among the officers of that era were enlightened, highly educated people. Some of them were associated with the Decembrist movement.
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The puffer is not one of them. On the contrary, it is the faithful guardian of the autocratic-feudal system, the enemy of enlightenment.
The serviceman, who was brought up in the barracks, Skalozub speaks with particular eagerness about what he is familiar with, and then his speech is full of such words as edging, shoulder straps, buttonholes, corps, division, distance, in line, sergeant major, etc. The tone of his speech is resolute, categorical: what a miserable rider! The distance is huge; sometimes his words sound like a command: There they will only teach in our way: one, two. He is polite to Famusov: I'm ashamed... Wherever you order... I don't know, sir, it's my fault. But in the presence of such persons as Chatsky or Repetilov, he is not shy and speaks rudely in the barracks: “Has our old man made a mistake?” “Look how he cracked, chest or side?”, “Deliver me”, “You won’t fool me with learning.”
Rocktooth's speech perfectly characterizes this "constellation of maneuvers and mazurkas."
Updated: 2011-05-07
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Wrote the comedy "Woe from Wit" in 1824. The work is intended to denounce the habits and views of the nobles of the nineteenth century. The events described in the play take place after the war with the French in 1812.
This period was difficult for Russia, as progressive ideas became popular in society. The confrontation between old and new views, traditions of the past and present is described in the work through vivid characters and images. Skalozub is a character with the help of which the author conveys the specifics of the controversy that has arisen.
The image of Colonel Sergei Sergeevich Skalozub is typical. There is documentary evidence that during the creation of the work for the hero, there were many prototypes. The names of the composer, Colonel Frolov and General Skobelev were named as persons who inspired Griboyedov.
The characterization of the character suggested that he looked like Paskevich, Arakcheev and the emperor. Skalozub is an ordinary Muscovite trying to get married. Education and upbringing is not his forte, but the hero has savings and self-confidence. After the war, Skalozub was awarded a symbolic order that allowed him to exaggerate his own importance in the eyes of others.
The meaning of the hero's name is obvious. The role of a boastful warrior and narcissistic nature assigned to him explains the origin of the surname. Skalozub enjoys the respect of other characters and preferences from Sophia's father, who is wooing his daughter for the colonel. The description of the groom's merits is primitive: he is rich and claims to be a general.
The purpose of Skalozub's life is a good position in society and the location of the powerful of this world. He opposes free thought and advocates unquestioning obedience. This position was common in the Russian army in the post-war years. The awards and position of Skalozub indicate that his attitude to the service is correct, the colonel's prospects are great.
Skalozub's quotes suggest that his attitude towards the family is based on the desire to conform to the norms accepted in society. He neglects feelings and sympathies. His judgments are based on traditional views that have not changed with the advent of the new era. Therefore, the attitude of the hero to serfdom is not distinguished by fresh ideas.
He advocates the idea of disposing of the peasants. The puffer is only concerned with replenishing its resources and budget, as well as social status. The colonel skillfully appeals to existing connections, neglects work, participation in military affairs and state activities.
A typical martinet whose behavior is predictable is an inappropriate and awkward image in a society that is created by young people like. Even his attitude towards love seems outdated. The key role in the hero's worldview is played not by age, but by the social situation, which Griboyedov makes fun of.
"Woe from Wit" is included in the list of literature studied in high school. The history of the confrontation between the “current century” and the “past century” is familiar to everyone. Young Sophia is in love with a secretary. Suddenly, an acquaintance of the family appears in the house, a young man named Chatsky, who in his speeches speaks unflatteringly about Molchalin, whose positive image is to the liking of the household.
The guest asks Famusov for details about Sophia, in connection with which the latter makes an assumption: Chatsky is aiming for suitors. The only suitable candidate for the role of son-in-law Famusov considers Colonel Skalozub, whose status and position in society correspond to the preferences of the venerable father. Chatsky and Famusov do not agree in judgments and views. There is a confrontation between them.
Molchalin's fall from the horse becomes a collision, after which Chatsky thinks about Sophia's excessive worry about the secretary's health. He comes to the conclusion that the girl is in love, but the personality of Molchalin seems to Chatsky unworthy of lofty feelings. At a reception given in the evening at Famusov's house, Chatsky sneers and ridicules a competitor.
Having accidentally learned that Molchalin keeps in touch with Sophia only for the sake of the family position and is secretly in love with the maid Lisa, the hero exposes the secretary. The defamed girl kicks Molchalin out of the house. The fugitive guests, led by Famusov, witness Chatsky's sarcastic monologue, ridiculing the vices of modern society. The young man leaves the Famusovs' house.
The play, written by Griboyedov, has added to the list of classical dramatic works. She does not inspire directors for film adaptations, since the poetic style is not in demand among the television audience. But TV performances are of interest to the intelligent public.
In 1952, the artists of the Maly Theater of the USSR appeared before the audience in the image of the heroes of "Woe from Wit" on television. The role of Skalozub was played by Anatoly Rzhanov. In a TV show in 1977, the audience again watched the actors of the Maly Theater. He appeared in the form of a colonel. A television performance in 2002 made it possible to get acquainted with Skalozub in performance.
Alexander Sergeevich Griboedov described a classic situation that occurs repeatedly in society. The meaning of the play remains relevant regardless of the era, so the popular expressions and aphorisms drawn from it remain relevant from year to year. The shortcomings of the character, denounced by the author, are voiced by the lips of the hero.
“As a true philosopher, I judge: I would only get into the generals,” Skalozub says.
He does not have the opportunity to claim a good education, and his "philosophical" statements are stupid and demonstrate the narrowness of the worldview. Skalozub is far from modern trends and does not seek to get acquainted with them, because he considers learning a waste of time. In his opinion, there are prospects only in investing in fragile minds the truth dictated by the fathers:
“I will make you happy: the general rumor,
That there is a project about lyceums, schools, gymnasiums;
There they will only teach in our way: one, two,
And the books will be kept like this: for big occasions.
Puffer owes his position in society and in the service of connections. He does not differ in the desire to change the world, and vacancies that help in moving up the career ladder open by themselves:
“I am quite happy in my comrades,
Vacancies are just open:
Then the elders will be turned off by others,
Others, you see, are killed.
"No less bright than the figure of Famusov. “A constellation of maneuvers and mazurkas,” says Chatsky about Skalozub. In the person of this hero, Griboyedov caricatured the type of military who pay attention mainly to the external part of military service, are interested in the form that distinguishes one regiment from another, are engaged in drill, “stepping”, as they said then, and are deprived of that real military spirit, which created the prowess of the Russian army. Skalozub embodies all the vulgarity, all the limitations of this kind of officers. His name testifies to the fact that he constantly "grins", jokes, tries to be witty; but his witticisms are not funny, but vulgar. Typical is his story about Princess Lasova, who, having fallen from a horse,
“... the other day I hurt myself in fluff:
The jockey did not support - he thought it was visible, flies.
And without that, she, as you can hear, is clumsy,
Now the rib is missing
So she is looking for a husband to support.
Typical is his answer to Famusov's question, what kind of relationship with him is Nastasya Nikolaevna:
“I don’t know, sir, it’s my fault:
We didn't serve together."
With this witticism Skalozub wants to show that he is not interested in anything outside of military service. What is it that occupies him? “In uniforms, edging, shoulder straps, buttonholes ...”, - a comparison of the guard with the army, in which the officers “everything is so fitted and the waist is so narrow” ...
Woe from the mind. Performance by the Maly Theatre, 1977
Skalozub strives only for ranks, awards, promotions. He himself is a colonel, but he is already "aiming for the generals." It is interesting to know how he reached the high rank; he himself quite frankly says that he received a promotion not for personal merit, but for a happy coincidence of circumstances:
“I am quite happy in my comrades, -
Vacancies are just open:
Then the elders will be turned off by others,
Others, you see, are killed.
The frankness with which Puffer speaks of his promotion testifies to his extreme stupidity:
"Speechy, but painfully not cunning",
- characterizes his maid Lisa. Just like Famusov, he is convinced of the dangers of science and wishes that in all lyceums and gymnasiums children would be taught to march.
I will make you happy: the general rumor,
That there is a project about lyceums, schools, gymnasiums;
There they will only teach in our way: one, two;
And the books will be kept like this: for big occasions.
That's what kind of son-in-law Famusov would like to have! But his daughter Sofya Skalozub is disgusted - and not only because she loves Molchalin. Sophia understands the emptiness and stupidity of Skalozub. When Chatsky, trying to find out Sophia's attitude towards a possible groom, mentions:
Here, for example, Colonel Skalozub:
And the golden bag, and marks the generals,
she answers:
Where is cute! and fun me fear
Hear about the front and rows;
He did not utter a clever word from birth, -
I don't care what's for him, what's in the water.
Comedy "Woe from Wit", written by A.S. Griboyedov in 1824, denounces the morals of the nobles of the early 19th century. The play presents a situation when, after the war of 1812, at a turning point for Russia, people with progressive views on the structure of society began to appear in the noble society. The main theme of the work is the struggle between the "past century" and the "present century", the old against the new. The camp of the "age of the past" is represented in the play by many people of different types. Of great importance for understanding the problems of the work is the characterization of Skalozub in the comedy "Woe from Wit".
This hero is highly respected among the Famus society. From the first pages of the book, we learn that Famusov considers him the most desirable contender for the hand of his daughter Sophia. In the play “Woe from Wit”, Skalozub fully corresponds to the ideals of the Moscow noble society: “And a golden bag, and aims for generals.” Sophia, as a sane girl, does not at all want to marry Skalozub. She considers him very stupid: “He won’t utter a smart word from time to time - I don’t care what for him, what’s in the water.”
If Chatsky is not suitable for the role of Sophia's husband, because he "does not serve, that is, he does not find any benefit in that," then Skalozub is a colonel. A high rank is the main thing that is valued in Moscow. The image of this hero is a satire on the Russian army of the Arakcheev period, when any free thought was persecuted, and thoughtless submission was required. In this regard, many young nobles retired. Dumb military drill then reigned in the army. That is why in the Famus society they are so wary of Chatsky, who “would be glad to serve”, but does not want to “serve”, because this indicates his dissent. Skalozub is “with stars and ranks”, which means that everything is in order with him. In the Famus society, even rudeness is forgiven him, which is not forgiven to Chatsky.
As a typical representative of the “past century”, Skalozub serves to enrich himself, gain a solid weight in society, and not to take care of the security of his homeland. In the comedy Woe from Wit, the army rank of Skalozub is very attractive to Famus Moscow. In this regard, Chatsky gives an apt description of Skalozub: "A constellation of maneuvers and mazurkas."
Ways to achieve high ranks and awards for people like Skalozub do not matter. Most often, promotion in the nobility of that time was achieved through connections. Skalozub's character helps him skillfully use these connections: "... To get ranks, there are many channels ... I just want to get into the generals."
Even Skalozub received his order not for military merit, but on the occasion of military celebrations.
In the comedy Woe from Wit, the characterization of Skalozub would be incomplete if the work did not contrast this hero with other representatives of the military class - progressive-minded nobles who respect the human personality. It was these people who retired at that time. Such is Skalozub's cousin, who, despite the fact that "the rank followed him", left military service and went to live in the village, where "he began to read books." Refusing another rank is unthinkable for Skalozub. Skalozub speaks of his brother with disdain also because he is also an opponent of learning and education. It is from the lips of this hero at the ball at Famusov that information comes about the reform of educational institutions according to the barracks type: “They will only teach in our way: one or two; and the books will be kept - like this: for big occasions.
One of the important characters in Griboedov's comedy "Woe from Wit" is Skalozub Sergei Sergeevich. He spent his whole life in military service, rose to the rank of colonel and really wants to become a general. The brilliant careerist, however, was carried away by his one service, the man was limited and simply stupid.
Skalozub's appearance is almost perfect: all the clothes are matched according to army fashion, he is tall, and all the girls who dream of fairy-tale heroes could admire his voice. Skalozub has many medals, but all of them are on the occasion of the celebration, and not received by valor and honor. This is one of the details that the author wants to show readers that Skalozub does not have that real military spirit that is eager to fight to protect loved ones. All that Skalozub dreams of is a beautiful form and a lot of fame and fame. He fights not for his homeland, but for his selfish and conceited goals.
Education brings Sergey Sergeyevich down: he grew up in the barracks, so all his requests or even ordinary speech sound like army orders. He is very rude, not tolerant, not tactful and in some places seems just a boor. But his shortcomings are largely covered by his huge fortune, solidity and place in society, many respect him and almost bow before him.
Puffer hates reading and believes that there is nothing good in books, two cases can be cited as an example of this: when he happily says that now all educational schools will become like barracks and when he talks with great contempt about his cousin, who is currently moment sits in the village and reads books.
Famusov wants to marry Sofya to Skalozub, because he has a lot of money. Sophia, on the other hand, finds Skalozub very stupid, speaks of him as if he had not said a single sensible thought for all the time. Sophia's words are also confirmed for the reader in a situation where Skalozub, having listened to Chatsky's monologue, agrees with him, not understanding anything from what Chatsky said.
I think that Skalozub is a person who tries to show himself on the good side in everything, a person who tries to please others and win their sympathy. Because of his ambitions to become a general, he sees nothing further than his service than scaring off the quick-witted and well-read Sophia. Skalozub himself considers himself a very honest officer who is worthy of his position. Judging by how his service is going, I can assume that he will still achieve his goal of becoming a general, but whether he will become the person that a young lady like Sophia wants to see in her husbands is unlikely.
Griboyedov in his comedy "Woe from Wit" raises an important topic that concerns the past and the present. At this time, the values of the "old" time are opposed to the values of the new time. Not only Famusov or Khlestakov considers himself an adherent of the old self, but also Skalozub.
Puffer holds a military rank, his goal in life is to achieve a good place or rank at any cost. He "made a fortune for himself", so he is popular with the ladies. Even Famusov himself prefers Skalozub as the husband of his daughter.
Skalozub, though a military man, can't think for himself. He follows the society, for those who are beneficial to him or support those who are more noble. The hero does not really love Russia, he speaks about this himself. He received a high military rank only because there were places, and not for exploits and devotion to the Motherland. Skalozub is a collective image, his behavior is consistent with other military men who tried to make their careers after World War II, and, it should be noted, they had every opportunity for this.
Skalozub is a typical liberal of that time who clings to the old, because only by those laws and rules can he live, it is more convenient for him to adapt to someone than to act on his own.
Also, the image of the Skalozub helps to fully understand Chatsky, who opposes the "past century", the reader notices the deceit, depravity and stupidity of the Famusovsky society, which includes the Skalozub.
Skalozub has a special attitude to teaching, he does not understand why you need to study, and he tries to show himself smart, but in dialogues with other characters he only answers with memorized military phrases.
The skalozub does not bring anything useful to society, he only satisfies his needs, goes over the heads for the sake of his goals. Such an attitude to the world is the basis of the old system, which Chatsky does not like so much.
The hero did not receive an education, he grew up in a military environment, so he was used to expressing himself rudely, not to reckon with anyone, to give orders. Puffer is rude, does not listen and does not understand others, he lives according to the laws of the army.
His attitude towards reading is terrible - he despises books. The reader notices this when the protagonist assures that it is better to equip schools in a new way, as in the army, where they will teach what is really important, and not science. And talking about his distant brother, who loves to read and lives in the village, Skalozub humiliates him, does not understand how books can be read.
Sophia sees in Skalozub a stupid and backward person, she is not interested in his money. In a dialogue with Chatsky, Skalozub does not understand what the hero is talking about, but out of habit he agrees with what was said.
Puffer is used to taking advantage of any situation for himself, through flattery and agreement with others. He does not want to develop, and there is only one goal - to succeed in a military career, this shows the limitations of the main character and his ideals.
Skalozuby - the generals of tsarist Russia, or hoarse, strangled and bassoons.
(According to the comedy by A.S. Griboyedov “Woe from Wit”.)
Literature knows cases of the genius of the author thanks to one of his works. These include the famous creations of the art of the word of different eras. These are "Don Quixote" by Cervantes Saavedra, "Gulliver's Travels" by Swift and, of course, "Woe from Wit" by Alexander Sergeevich Griboedov.
The immortal comedy was written at the beginning of the 19th century, but has not lost its significance in the 21st century, because it touches on universal - "eternal values".
The play mainly contains representatives of the nobility (“the current century” and “the past century”) with their own worldview, attitude to service, education, serfdom, foreign fashion, people of different classes. The author speaks about the meaning of life, honor and dignity, love, inner freedom, moral choice.
There are many characters in the comedy, but they can be conditionally divided into two camps: the world of Famusov and the world of Chatsky. Chatsky has progressive views on life, he is an active figure, a thinking person, and the other (Famusov) is an adherent of the old order, where servility, hypocrisy, servility, the desire to become an “ace” are at a premium.
Skalozub is a bright representative of the Famus circle. Chatsky gives an apt description of this character:
hoarse, strangled, bassoon,
A constellation of maneuvers and mazurkas.
In tsarist Russia, fanfaron officers were called hoarse, giving themselves an important look and striving to be especially noticeable in secular society. To this end, they forcibly forced themselves to wheeze, pronouncing words with a French accent. The writer gives the term "hoarse" an army, military-slang meaning.
The word "strangled" is associated with "hoarse" and helps to partially represent the highest-ranking military in Nikolaev Russia: the collar was so tightly tightened, and the uniform was pulled into a glass, that it was difficult to breathe.
A bassoon is a musical wind instrument made of wood that makes hoarse, nasal sounds (direct meaning). However, in order to have a complete understanding of the word "bassoon", one must refer to the story of the surgeon N.I. Pirogov ("The Diary of an Old Doctor"). Uniform leaders were called bassoons for their jerky, harsh speech. The hero of Griboyedov's comedy Skalozub Sergey Sergeyevich is a serving colonel, a limited saldophone, who has only a military career in mind ("And a golden bag, and aims for generals"). In fact, he did not participate in hostilities and received an award because he "was sitting in a trench." He is very limited in knowledge and has a poor vocabulary, like the character in the satirical novel by Ilf and Petrov "The Twelve Chairs" Ellochka the cannibal. Dumb and rude in communication, he is not interesting to anyone, and they communicate with him because of money. It's funny and sad to hear his answers. A typical figure of the Arakcheev army drill. His appearance is historically real, without caricature coloring. Just like Famusov, Colonel Skalozub adheres to the "philosophy" of the "past century", but more rudely and frankly. For him, the purpose of the service is not to protect the Fatherland, but in career growth, wealth and honor. A military man, in his opinion, can achieve success faster.
Skalozub is an opponent of any enlightenment. For him, learning is a "plague". To eliminate freethinkers, it is he who proposes effective measures for the destruction of books. He would very much like to establish an army regime and suppress any manifestation of freedom of thought.
Individuals like Skalozub are dangerous to society.
Griboyedov's work "Woe from Wit" gives us many different characters that we can think about for a long time. One of them is Skalozub.
Skalozub is a high-ranking official, a rich and respected man with the rank of colonel. The main place in his life is occupied by a drill step and other military topics. But, oh, valor and honor do not interest him. About such as he speaks - martinet. Among people Skalozub is reputed to be the first gossip, evil and constantly gloating. Most of all, he loves to make stupid and ridiculous jokes about the princess. Hence the speaking name.
As a hero, he is faithful to his ideals, shows a willingness to defend his honor and those close to him. But, like Famusov, he is a man of conservative views who does not want to change his usual way of life. For him, the old way of life is an indicator of stability, because he is simply afraid of not having time to adapt to the turbulent course of life and get lost among people like him. Compared to Famusov, the author does not reveal Skalozub so vividly as to give the reader the opportunity to reflect on the character. It is noticeable that Skalozub is not an ardent conservative, but is simply afraid of losing the achieved standard of living.
He is not spoken of as an intelligent, educated and perspicacious person. All his achievements are just pure coincidence. And he himself knows about it.
The author does not have love for this hero, so there is a darker side to the characterization of the colonel. This person acts as a hard radical. He vehemently despises everything that is connected with innovations and their introduction into the world. For him, this is a sign that the world is beginning to change in full force, and changes in life are inevitable. He is very unhappy with this fact. In this case, Skalozub is described as a person who failed as a person, unable to adapt to new living conditions. There is a clear fear of change and the fear of not coping with the difficulties associated with this.
It is also interesting to describe his attitude to ordinary everyday problems. Love and affection are not things for him to pay attention to, because it does not carry any material value. He treats those around him with respect. Skalozub sees benefit only in those people who have the opportunity to help him achieve success and move up the career ladder, while others are just an unnecessary gray mass for him.
Since the beginning of the appearance of people on the planet, man has been in close contact with the outside world. After all, thanks to her, a person is always full and satisfied, clean and warm. Later, she opened up all her natural resources, creating suitable conditions for people to live.
One of the main characters of the work is Gaev Leonid Andreevich, the brother of the main characters of the owner of the estate Ranevskaya.
When the rain softly knocks on the roof, it has a lulling effect on me, I can even fall asleep.
Painting “Fresh wind. Volga" was painted by the famous Russian painter I.I. Levitan in 1895. This picture is one of the best works of the artist, despite the fact that its creation was not easy for Levitan.
"Dead Souls" is one of the most brilliant creations of the writer. The plot of the work was prompted by Pushkin. Nikolai Vasilyevich initially planned to write a novel
