Makeup. Hair care. Skin care

Andrei Bolkonsky burdened by routine, hypocrisy and lies that reign in secular society. These low, meaningless goals that it pursues.

Ideal Bolkonsky is Napoleon, Andrew wants like him, saving others to achieve fame and recognition. This desire of his is the secret reason why he goes to the war of 1805-1807.

During the battle of Austerlitz, Prince Andrei decides that the hour of his glory has come and rushes headlong under the bullets, although the impetus for this was not only ambitious intentions, but also shame for his army, which began to flee. Bolkonsky was wounded in the head. When he woke up, he began to perceive the world around him in a different way, he finally noticed the beauty of nature. He comes to the conclusion that wars, victories, defeats and glory - nothing, emptiness, vanity of vanities.

After the death of his wife, Prince Andrei is experiencing a strong emotional shock, he decides for himself what will happen. live for the closest people, but his living nature does not want to put up with such a boring and ordinary life, and in the end all this leads to deep spiritual crisis. But a meeting with a friend and a sincere conversation help partly overcome it. Pierre Bezukhov convinces Bolkonsky that life is not over, that you need to continue to fight, no matter what.

A moonlit night in Otradnoye and a conversation with Natasha, and after meeting with an old oak tree, Bolkonsky returns to life, he begins to realize that he does not want to be such an “old oak tree”. Ambition, a thirst for glory and a desire to live and fight again appear in Prince Andrei, and he goes to serve in St. Petersburg. But, Bolkonsky, participating in the drafting of laws, understands that this is not what the people need.

Natasha Rostova played a very important role in the spiritual development of Prince Andrei. She showed him the purity of thoughts that must be adhered to: love for the people, the desire to live, to do something good for others. Andrei Bolkonsky passionately and tenderly fell in love with Natalya, but could not forgive the betrayal, because he decided that Natasha's feelings were not as sincere and disinterested as he thought before.

Going to the front in 1812, Andrei Bolkonsky does not pursue ambitious intentions, he goes to defend his homeland, to defend his people. And already being in the army, he does not strive for high ranks, but fights next to ordinary people: soldiers and officers.

The behavior of Prince Andrei in the battle of Borodino is a feat, but a feat not in the sense that we usually understand it, but a feat in front of oneself, in front of one's honor, an indicator of a long path of self-improvement.

After a mortal wound, Bolkonsky imbued with an all-forgiving religious spirit, changed a lot changed my outlook on life in general. He gave forgiveness to Natasha and Kuragin, and died with peace in his heart.

In the novel "War and Peace" you can explore and see firsthand the life path and spiritual development of Prince Andrei Bolkonsky from secular, indifferent and conceited to wise, honest and deep spiritual person.

a) Andrei, trying to get out of his boring social and family life, is going to war. He dreams of fame like that of Napoleon, he dreams of accomplishing a feat, he realized that the natural life of nature and man is more significant and important than the war and the glory of Napoleon. ( From lectures: Proud, dreams just like Raskolnikov - before Austerlitz, then - a spiritual upheaval. A man of enlightened views, laughed at Marya.) But soon a reassessment of values ​​\u200b\u200boccurs in his soul. What he so diligently fenced himself off from - a simple and quiet family life - now seemed to him a desirable world full of happiness and harmony. Further events - the birth of a child, the death of his wife - forced Prince Andrei to come to the conclusion that life in its simple manifestations, life for himself, for his relatives, is the only thing left for him. Andrei tried to live a simple, calm life, taking care of his son and improving the lives of his serfs: he made 300 people free cultivators, and replaced the rest with dues. But the state of depression, the feeling of the impossibility of happiness indicated that all the transformations could not fully occupy his mind and heart. ( From lectures: Andrei realized that the essence of life is to love and forgive, but he did not know how to forgive. So Andrew dies.)

b) The image of Pierre is presented in the work in the process of post-development. Throughout the novel, one can observe the train of thought of this hero, the slightest vibrations of his soul. He is looking for not just a position in life, but the meaning of life in general. At the beginning of the novel, he is a weak-willed young man, but then there is a "Masonic" period, where he retains many moral concepts. The culmination of the novel was the depiction of the Battle of Borodino. And in the life of Bezukhov, it also became a decisive moment. The hero takes part in the battle, is amazed at the soldiers who are going to certain death, are still able to smile, sees how they dig trenches with laughter. Pierre begins to understand that a person cannot own anything while he is afraid of death. The one who is not afraid of her owns everything. The hero realizes that there is nothing terrible in life, he sees that it is these people, ordinary soldiers, who live the true life. An important milestone in his life is a meeting with Platon Karataev. Initiation to the people's truth, the people's ability to live helps Pierre's inner liberation. Pierre was always looking for a solution to the question of the meaning of life. In moral purification for Pierre lies the truth. Having learned the truth of Karataev, Pierre in the epilogue of the novel goes further than this truth, goes his own way. Graduate Pierre achieves harmony in marriage with Natasha Rostova. Thus, Pierre learns the main truth: the ability to combine the personal with the public, his own convictions with the convictions of other people. His analytical mind, coupled with a vivid emotional perception of the world, lead him to gain the truth and meaning of life.

(From lectures: Platon Karataev >>>> reassessment of values ​​by Pierre, humility. Plato is an expression of popular philosophical life, "You must always love life, even when you suffer innocently!" (= Elder Zosima by Dostoevsky). Pierre's dream about a geography teacher and the world >>>> a person's life makes sense only as part of the life of other people.)

Pierre

L. N. Tolstoy is a writer of enormous, worldwide scale, since the subject of his research was man, his soul. For Tolstoy, man is part of the universe. He is interested in what path the human soul goes in striving for the high, ideal, in striving to know oneself.

Pierre Bezukhov – honest, highly educated nobleman. This nature is spontaneous, capable feel keenly, easily excited. Pierre deep thoughts and doubts, the search for the meaning of life. His life path is complex and tortuous. At first, under the influence of youth and environment, he makes a lot of mistakes: leads a reckless life of a secular reveler and loafer, allows Prince Kuragin to rob himself and marry his daughter Helen. Pierre shoots himself in a duel with Dolokhov, breaks with his wife, disappointed in life. To him hated by all the recognized lies of secular society, and he understands the need to fight.

At this critical moment, Pierre falls into the hands of the freemason Bazdeev. This "preacher" deftly sets up before the gullible count the nets of a religious and mystical society that called for the moral improvement of people and their unification on the basis of brotherly love. Pierre understood Freemasonry as a doctrine of equality, brotherhood and love. This helped him direct his forces for the improvement of fortresses. He liberated the peasants, established hospitals, shelters and schools.

War of 1812 makes Pierre ardently get down to business again, but his passionate appeal to help the Motherland causes general dissatisfaction among the Moscow nobility. He fails again. However, overwhelmed by a patriotic feeling, Pierre equips a thousand militiamen with his own money and remains in Moscow himself to kill Napoleon: "either perish, or stop the misfortunes of all of Europe, which, according to Pierre, came from one Napoleon."

An important stage on the path of Pierre's search is visit to the Borodino field during the famous battle. He understood here that history is made by the most powerful force in the world - the people. Bezukhov approvingly perceives the wise words of the soldier: “They want to pile on all the people, one word - Moscow. They want to make one end." The sight of lively and sweaty militia men, with loud laughter and talking, working on the field, "acted on Pierre more than anything that he had seen and heard so far about the solemnity and significance of the present moment."

If Pierre’s closer rapprochement with ordinary people occurs after a meeting with a soldier, a former peasant, Platon Karataev, who, according to Tolstoy, is part of the masses. From Karataev, Pierre is dialing peasant wisdom, in communion with him "finds that calmness and self-satisfaction, to which he vainly sought before."

The life path of Pierre Bezukhov is typical for the best part of the noble youth of that time. It was from such people that the iron cohort of the Decembrists was made up. Much has them in common with the author of the epic, who was faithful to the oath given to him in his youth: “ In order to live honestly, one must tear, get confused, fight, make mistakes, start and quit again, and start again and quit again and always fight and lose. And peace is spiritual meanness».

Pierre Bezukhov and Andrei Bolkonsky are internally close to each other and alien to the world of the Kuragins and Scherer. They meet at different stages of life: both at the time of Prince Andrei's happy love for Natasha, and during the break with her, and on the eve of the Battle of Borodino. And each time they turn out to be the closest people to each other, although each of them goes to goodness and truth in his own way.

Prince Andrei first appears in the same place as Pierre - at a social evening at Anna Pavlovna Scherer. But if Bezukhov is shown as young, energetic, having his own point of view on everything and ready to defend it with fervor, then Prince Andrei looks like a tired, bored, satiated person. He was tired of social life with all its endless balls and receptions. He is unhappy also in family life, in which there is no understanding.

Andrei Bolkonsky dreams of fame like that of Napoleon, he wants to quickly escape from the familiar world to military service. He is waiting in the wings, when there will be a chance to realize all his dreams: “And he imagined a battle, losing him, concentrating the battle on one point and the confusion of all commanding persons. And now that happy moment, that Toulon, which he had been waiting for so long, finally appears to him. He firmly and clearly speaks his opinion to both Kutuzov, and Weyrother, and the emperors. Everyone is amazed at the correctness of his ideas, but no one undertakes to fulfill it, and so he takes a regiment, a division, pronounces a condition that no one should interfere with his orders, and leads his division to a decisive point and alone wins. What about death and suffering? says another voice. But Prince Andrei does not answer this voice and continues his successes. The disposition of the next battle is made by him alone. He bears the rank of army duty officer under Kutuzov, but he does everything alone. The next battle is won by him alone. Kutuzov is replaced, he is appointed ... Well, and then? another voice says again, and then, if you are not wounded, killed or deceived ten times before; well, then what? …I will never tell anyone this, but, my God! what am I to do if I love nothing but glory, human love. Death, wounds, loss of family, nothing scares me. And no matter how dear or dear to me are many people - father, sister, wife - the people dearest to me - but, no matter how terrible and unnatural it seems, I will give them all now for a moment of glory, triumph over people, for love for to myself people whom I do not know, and will not know, for the love of these people.”

From my point of view and the point of view of Tolstoy, such thoughts are unacceptable. Human glory is a changeable phenomenon. Suffice it to recall the French Revolution - yesterday's idols are cut off the next day to give way to new idols, who will soon also end their lives under the knife of the guillotine. But in the mind of Prince Andrei there is still room for an inner voice warning him about the insidiousness of human glory and about the terrible path through death and suffering that he will have to go through.

And at the battle of Austerlitz there is such a chance. At the decisive moment, Bolkonsky takes up the banner and shouts “Hurrah!” leads the soldiers - forward, to the feat and glory. But by the will of fate, one stray bullet does not allow Prince Andrei to complete his triumphal procession. He falls to the ground and sees the sky in a way that no one will probably ever see again. “How could I not have seen this lofty sky before? And how happy I am that I finally got to know him. Yes! everything is empty, everything is a lie, except for this endless sky. Nothing, nothing but him. But even that is not even there, there is nothing but silence, calmness. And thank God!.."

At this moment, Prince Andrei realizes how empty, soulless his dreams of glory were. He decides to find happiness in a quiet family life, devoting himself only to a narrow circle of people and concerns.

Returning to the Bald Mountains, the estate of his father, Prince Andrei finds the moment of the birth of his son and the death of his wife. Dreams of family happiness crumbled to dust, a deep spiritual crisis began.

Only a meeting with an old friend Bezukhov, albeit partially, brought Prince Andrei back to life. Pierre's words "one must live, one must love, one must believe" make Bolkonsky think again about the meaning of life, again direct his consciousness to the path of quest. As Tolstoy wrote, “A meeting with Pierre was for Prince Andrei an epoch from which, although in appearance it was the same, but in the inner world, his new life began.”

But while Prince Andrei continues to live in the village, still not seeing any goals and opportunities in front of him. This is confirmed by his thoughts at the sight of an old, dry oak, which with all its appearance said, in the mind of Bolkonsky, that there can be neither spring, nor love, nor happiness: “Yes, he is right, this oak is a thousand times right,” thought Prince Andrei, - let others, young people, again succumb to this deception, but we know life - our life is over!

Bolkonsky is carrying out on his estates those reforms that Pierre planned to carry out and which he, for lack of "practical tenacity", did not complete. Prince Andrei succeeds, he transfers his peasants to free cultivators, in fact freeing them.

Arriving on business to Count Ilya Andreyevich Rostov, Prince Andrei first sees Natasha running past him in a crowd of peasant girls. And it hurts him because she is young, happy, and she does not care about his existence.

And, finally, the final stage of Bolkonsky's return to life was a second meeting with the oak. This tree, which previously symbolized hopelessness for him, the end of his life, now blossomed and harmoniously merged into that world of love, spring and happiness, which had previously been an antonym in the mind of Prince Andrei. “No, life is not over at the age of 31,” Prince Andrei suddenly decided definitively, without change. - Not only do I know everything that is in me, it is necessary that everyone knows this ... it is necessary that everyone know me, so that my life goes not for me alone, so that they do not live so independently of my life, so that it was reflected on everyone and that they all lived with me together!

The active personality of Bolkonsky could not, of course, remain without any occupation. Prince Andrei enters the civil service and works together with Speransky on various bills. But all the innovative ideas proposed by him did not come to fruition, as they were too bold for that time. Not finding support in promoting his reforms, Bolkonsky ceases his state activities.

At the same time, an important period begins in the life of Prince Andrei - an affair with Natasha Rostova. Bolkonsky, having first met Rostova at a ball, was immediately fascinated by her charms. Prince Andrei's love was mutual, and he proposes to Natasha and receives consent. But Bolkonsky's father set a condition - the wedding could take place in at least a year. And Prince Andrei decides to spend this year abroad, in particular, to improve his health.

However, Natasha Rostova's feeling has cooled so much this year that she fell in love with Anatol Kuragin and decided to flee Russia with him. But the escape did not take place.

And again, Prince Andrei's dreams of a happy family life do not come true. As if inexorable fate is pursuing him, forcing him to return to the path of search through the pain of loss.

Returning from abroad on the eve of World War II, Bolkonsky re-joins the army and is looking for Anatole there to demand satisfaction. Prince Andrei was wounded on the Borodino field. In the dressing station, the truth of eternal love is revealed to him: “Yes, love,” he thought again with perfect clarity, “but not the love that loves for something, for something or for some reason, but the love that I experienced for the first time when, dying, I saw my enemy and still fell in love with him. I experienced that feeling of love, which is the very essence of the soul and for which no object is needed. I still have that blissful feeling. Love your neighbors, love your enemies. To love everything is to love God in all manifestations. You can love a dear person with human love; but only the enemy can be loved with divine love.

Prince Andrey completes his path of life quests by discovering in himself this amazing, all-encompassing and truly divine feeling. But he also completes his life path, "he was too good to live." Tolstoy gave his hero the opportunity to understand the basis of the universe - love, the opportunity to become, albeit not for long, but a perfect person, and in return he took away life.

The last truth revealed to him - "Death is an awakening!" - erased in the soul of Bolkonsky the fear of the unknown on the other side of life. "And Prince Andrei died."

Approximate text of the essay according to L. N. Tolstoy

In the artistic world of Tolstoy there are heroes who persistently and purposefully seek the meaning of life, striving for complete harmony with the world. They are not interested in secular intrigues, selfish interests, empty talk in high-society salons. They are easily recognizable among haughty, self-satisfied faces.

These, of course, include one of the most striking images of "War and Peace" - Andrei Bolkonsky. True, the first acquaintance with this hero does not cause much sympathy, because his handsome face "with definite and dry features" spoils the expression of boredom and discontent. But it, as Tolstoy writes, is due to the fact that "all those who were in the living room were not only familiar, but already tired of him so much that it was very boring for him to look at them and listen to them." A detailed author's commentary suggests that a brilliant and idle, empty life does not satisfy the hero, who seeks to break the vicious circle in which he finds himself.

Prince Andrei, who, in addition to intelligence and education, has a strong will, decisively changes his life, having entered the service of the headquarters of the commander in chief. Bolkonsky dreams of heroism and glory, but his desires are far from vanity, for they are caused by the desire for the victory of Russian weapons, for the common good. Possessing hereditary pride, Andrei unconsciously separates himself from the world of ordinary people. In the soul of the hero, the gap between his lofty dreams and earthly everyday life is becoming deeper and deeper. The pretty wife Lisa, who once seemed perfect to him, turned out to be an ordinary, ordinary woman. And Andrei undeservedly offends her with his dismissive attitude. And the hectic life of the headquarters of the commander-in-chief, which Bolkonsky seems to be the brain of the army, also turns out to be very far from ideal. Andrei firmly believes that his thoughts about saving the army will attract attention and interest, and will serve the common good. But instead of saving the army, he has to save the doctor's wife from the claims of the convoy officer. This, in general, a noble deed seems to Andrei too small and insignificant compared to his heroic dream.

The feat accomplished by him during the battle of Austerlitz, when he runs ahead of everyone with a banner in his hands, is full of external effect: even Napoleon noticed and appreciated him. But why, having committed a heroic deed, Andrei does not experience any delight and spiritual uplift? Probably because at the moment when he fell, seriously wounded, a new high truth was revealed to him along with a high endless sky that spread a blue vault over him. Against his background, all former dreams and aspirations seemed to Andrei petty and insignificant, the same as the former idol. There was a reassessment of values ​​in his soul. What seemed to him beautiful and sublime turned out to be empty and vain. And what he so diligently fenced himself off from - a simple and quiet family life - now seems to him desirable, full of happiness and harmony. It is not known how Bolkonsky's life would have turned out with his wife. But when, having risen from the dead, he returned home more kind and gentle, a new blow fell upon him - the death of his wife, before whom he could not make amends. Andrei tries to live a simple, calm life, touchingly taking care of his son, improving the lives of his serfs: he made three hundred people free farmers, and replaced the rest with dues. These humane measures, testifying to the advanced views of Bolkonsky, for some reason still do not convince him of his love for the people. Too often slips in him of contempt for the peasant or soldier, who can be pitied, but not respected. In addition, the state of depression, the feeling of the impossibility of happiness suggests that all transformations cannot fully occupy his mind and heart. Changes in Andrei's difficult state of mind begin with the arrival of Pierre, who, seeing the oppressed mood of his friend, tries to inspire him with faith in the existence of a kingdom of goodness and truth, which should exist on earth. Andrey's final resurrection to life is due to his meeting with Natasha Rostova. The description of the moonlit night and Natasha's first ball exudes poetry and charm. Communication with her opens up a new sphere of life for Andrey - love, beauty, poetry. But it is with Natasha that he is not destined to be happy, because there is no complete understanding between them. Natasha loves Andrei, but does not understand and does not know him. And she, too, remains a mystery to him with her own, special inner world. If Natasha lives every moment, unable to wait and postpone the moment of happiness until a certain time, then Andrei is able to love at a distance, finding a special charm in anticipation of the upcoming wedding with his girlfriend. The separation turned out to be too difficult a test for Natasha, because, unlike Andrei, she is not able to think about something else, to occupy herself with some kind of business. The story of Anatole Kuragin destroys the possible happiness of these heroes. Proud and proud Andrei is unable to forgive Natasha for her mistake. And she, experiencing painful remorse, considers herself unworthy of such a noble, ideal person. Fate separates loving people, leaving bitterness and pain of disappointment in their souls. But she will unite them before Andrei's death, because the Patriotic War of 1812 will change a lot in their characters.

When Napoleon entered the borders of Russia and began to rapidly move forward, Andrei Bolkonsky, who hated the war after being seriously wounded near Austerlitz, goes to the active army, refusing to serve safely and promisingly at the headquarters of the commander in chief. Commanding a regiment, the proud aristocrat Bolkonsky draws closer to the soldier-peasant mass, learns to appreciate and respect the common people. If at first Prince Andrei tried to arouse the courage of the soldiers by walking under the bullets, then, when he saw them in battle, he realized that he had nothing to teach them. He begins to look at the peasants in soldier's overcoats as patriotic heroes who courageously and staunchly defended their Fatherland. Andrei Bolkonsky comes to the conclusion that the success of the army does not depend on the position, weapons or number of troops, but on the feeling that is in him and in every soldier. This means that he believes that the mood of the soldiers, the general morale of the troops are a decisive factor for the outcome of the battle.

But still, the complete unity of Prince Andrei with the common people did not happen. No wonder Tolstoy introduces a seemingly insignificant episode about how the prince wanted to swim on a hot day, but because of his squeamish attitude towards the soldiers floundering in the pond, he was never able to fulfill his intention. Andrei himself is ashamed of his feelings, but cannot overcome him.

It is symbolic that at the moment of a mortal wound Andrey feels a great craving for a simple earthly life, but immediately thinks about why he is so sorry to part with it. This struggle between earthly passions and an ideal coldish love for people is especially aggravated before his death. Having met Natasha and forgiving her, he feels a surge of vitality, but this quivering and warm feeling is replaced by some kind of unearthly detachment, which is incompatible with life and means death.

Thus, revealing in Andrei Bolkonsky many remarkable features of a patriotic nobleman. Tolstoy cuts off his path of searching with a heroic death for the sake of saving the fatherland. And to continue this search for higher spiritual values, which remained unattainable for Andrei, is destined in the novel to his friend and like-minded Pierre Bezukhov.

Purpose: to trace the path of the ideological searches of Prince Andrei Bolkonsky, to draw up a diagram of the supporting provisions.

Tasks:

1. Analyze the period of Prince Andrei's life from the moment of the break with Natasha to his death;

2. To note the role of the author's lyrical digression in the transmission of the spiritual experiences of the lyrical hero - an excerpt by heart P III, ch. 1, volume 2.

II. Building a schema.

1. In an effort to break out of the vicious circle of secular life, Prince Andrei dreams of personal glory in a military feat.

2-4 Participation in the Battle of Shengraben (18050), unfair assessment of the feat of Captain Tushin's battery by the highest military authorities, the feat of Prince Andrei himself on the field of Austerlitz and a serious wound - all this leads him to disappointment in his dreams of glory.

4-7. He is trying to find the meaning of life - in civic activity (work in the Speransky commission), but a conversation with Arakcheev and his own observations convince him that there is no high civic goal in this field either.

Retelling - analysis. Volume 3, part I, ch. eight.

1. What brings Prince Andrei to the war of 1812?

Prince Andrei considers it necessary to challenge Anatole Kuragin to a duel, without giving her a new reason, so as not to compromise Natasha. They go to the army in the hope of meeting Kuragin there and, having given a reason for a duel, challenge him.

2. What is the mood of Prince Andrei in the army? What is the manifestation of his unity with the people? Volume 3, part 2, ch. 24, 25.

Ch II, Ch. 24 Prince Andrei in Knyazkovo. Reflections on life. Pierre's arrival.

He clearly sees the three main sorrows of his life: his love for a woman, the death of his father and the French invasion that captured half of Russia. He vividly represented the absence of himself in this life. The possibility of death seemed to him something terrible and threatening.

Ch II, 25. Pierre's conversation with Andrei and the officers of his regiment. Pierre's conclusion about the latent warmth of patriotism.

Soldiers and officers of the regiment affectionately call Prince Andrei "our prince." Andrei is sure that success depends neither on the order of the headquarters, nor on the position, nor on weapons, or even on numbers. It depends on the feeling that is in every soldier. The battle is won by the one who is determined to win it. Therefore, Prince Andrei does not serve at the headquarters, but in the regiment, along with soldiers and officers, because. everything will depend on them. I am sure that if there were no generosity in the war, there would be no war, war is not courtesy, but the most disgusting thing in life. We must understand this and not play war.

3. As a result of what is the reconciliation of Prince Andrei with life, people and himself? Ch II, Ch. 36-37.

Ch II, Ch. 36. Regiment of Prince Andrei in reserve. The concept of Prince Andrei.

Two steps away from Andrei, the core fell, he realized that it was death and looked around with a new envious look. "I don't want to die, I love life." A fragment of an exploding grenade wounded him in the stomach.

Ch II, Ch. 37. Prince Andrei and Anatole Kuragin in a tent for the wounded. Reconciliation of Prince Andrei with the people.

Prince Andrei meets a wounded man whose leg has just been cut off. In it he recognizes Anatole. He remembered everything that had happened between him and Kuragin, and enthusiastic pity and love for this man filled his happy heart. The love that God preached on earth, which Princess Mary taught him, was now accessible to his understanding.

11-12. Only on the Borodino field, he finally understands that the meaning of life is in unity with the people, in the struggle for the freedom and happiness of the Motherland.

A mortal wound leads him to the idea of ​​humility and forgiveness.

12 - 15. There is reason to believe that if the author had left his hero alive, then he would have been one of those who in 1825 would have gone to the Senate Square in St. Petersburg.

Supporting provisions of the topic:

"The path of the ideological and moral quest of Prince Andrei Bolkonsky."

III. Reading a passage by heart

(Volume 2, part III, ch. 1.) Volume 1, part 3, ch. 1-2; Volume 2, part 2, ch. 1-5, 10; part 3, ch. 7-11; ch 5, ch. one; part 4, ch. 12-12, 15-20.

IV. Homework.

Volume 3, part 3, ch. 8-11, 27-29, 34; Volume 4, part 1, ch. 9-13, part 2, ch. 11-14, h 3, ch. 12-15

The image of Pierre Bezukhov.

Volume 1, part III, ch. 1-2 (marriages to Helen)

Volume 2, part II, ch. 1-5 (meeting with Bazdeev Freemasonry)

ch. 10 (a trip to the estates)

part III, ch. 7 - 11 (at the head of Freemasonry, doubts, diary)

part IV, ch. one

Volume 3, part I, ch. 19 (destination from the Apocalypse)

part III, ch. 8 – 11 (on the way to Mozhaisk)

ch. 27-29 (in abandoned Moscow)

ch. 34 (rescue of a child in a fire, captivity)

Volume 4, part I, ch. 9-13 (captivity, meeting with Platon Karataev)

part II, ch. 11 -14 (captivity)

part III, ch. 12-15 (Karataevshchina)

part IV, ch. 12 - 13 (freedom, illness, in Orel)

15 - 20 (Pierre - Natasha).

Project on the topic: "The life path of Andrei Bolkonsky." Completed by a student of the 10th grade: Shumikhina Ekaterina Supervisor: Litvinova E.V.

Purpose of work: 1. To see and analyze the life path of Andrei Bolkonsky. 2. Disassemble the relationship in the Bolkonsky family. 3. To get acquainted with the principles of Andrei Nikolaevich Bolkonsky 3. To see how the battle of Austerlitz and the death of his wife affect Bolkonsky's internal state. 4. Analyze the relationship between Natasha Rostova and Andrei Bolkonsky. 5. Consider how love changes people's hearts, and what significance nature has in the life of one of the heroes of the novel "War and Peace". 6. Consider the episode of Bolkonsky's death.

I chose this job because I was interested in the life path of Andrei Bolkonsky. I was interested in how a person changes what is happening around him. It was very interesting for me to observe how his life positions and views on life changed.

Andrei Bolkonsky Andrei Bolkonsky is the son of Prince Nikolai Andreevich Bolkonsky. His father was one of those people who served the Fatherland, and were not served. Andrei respects his father very much and is proud of him. However, he himself dreams of becoming famous, not serving. He is looking for a way to glory and honor in a military feat, dreams of his Toulon.

Salon of Anna Pavlovna Sherer For the first time, L.N. Tolstoy introduces us to Prince Bolkonsky in the salon of Anna Pavlovna Sherer. “Prince Bolkonsky was short, a very handsome young man with definite and dry features. Everything in his figure, from the tired, bored look to the quiet measured step, represented the sharpest contrast with his little, lively wife. Apparently, everyone in the drawing room was not only familiar to him, but they were already so tired that it was very boring for him to look at them and listen to them. Of all the faces that bored him, the face of his pretty wife seemed to bore him the most. With a grimace that spoiled his handsome face, he turned away from her ... "

The estate of Bolkonsky The estate of General Nikolai Andreevich Bolkonsky is bald mountains. The Bolkonsky family adheres to very strict rules, where the father brings up and trains his daughter, he is cold and reserved with his son. Pride, high moral traits and devotion to the motherland become important. Although the father seems so proud and cruel, he still worries about his son. - I am writing to Kutuzov not to keep you as aide-de-camp for a long time - a bad post. And remember one thing, Prince Andrei ... If they kill you, it will hurt me, an old man ... And if I find out that you did not behave like the son of Nikolai Bolkonsky, I will be ... ashamed! - But this, father, you could not tell me

Bolkonsky in the war Prince Andrei performed a heroic deed, he managed to raise the whole army behind him and go forward with a banner in his hand. But he did not feel anything from this feat. As it turned out, he did not have an unusual impression or feeling, his thoughts during the feat were petty and fussy.

Austerlitz sky The prince, wounded during the battle, falls and the boundless sky opens up to his eyes. And nothing, "except the sky, not clear, ...", no longer interests him. "How quiet, calm and solemn, not at all like how I ran ... how we ran ... How could I have not seen this high sky before." The prince understands that "... everything is empty, everything is a lie, except for this endless sky ..." Now Bolkonsky does not need either glory or honor. And even admiration for Napoleon lost its former meaning. . . After the battle, Bolkonsky comes to understand that one must live for himself and for his loved ones.

Returning home and the death of his wife Returning home after being wounded, Bolkonsky finds his wife Lisa in childbirth, after which she dies. He realizes that he is partly to blame for what happened. He was too proud, too arrogant, he did not pay due attention to her, and this brings him suffering. After the death of his wife, he feels an inner emptiness, thinks that his life is “over”.

Old oak Meeting with the oak is one of the main turning points in the life of Andrei Bolkonsky and the discovery of a new, joyful one, in unity with all the people. He met the oak with its gloomy and not obeying the rest (forest) world tree. Bolkonsky compares himself with this oak, because he is not interested in talking about Bonaparte, who was the center of discussions with Anna Pavlovna Scherer, he was bored in their company. But at their second meeting, Andrei finds the oak renewed, full of vitality and love for the world around him. An unreasonable spring feeling of joy and renewal suddenly came over him; he remembered all the best moments of his life. And Austerlitz with a high sky, and Pierre on the ferry, and a girl excited by the beauty of the night, and this night, and the moon. And he thought, “No, life is not over at thirty-one. . ." .

Love for Natasha Rostova After meeting with Natasha Rostova in Otradnoye, Andrei Bolkonsky is convinced that he must live on, believe in his happiness. But his selfishness played a cruel joke on him. Obeying the will of his father, he does not think about the feelings of his bride, and in the end he sees that Natasha was carried away by Anatoly Kuragin. He takes this as a betrayal and again loses the meaning of life.

The death of Bolkonsky and the realization of the true values ​​​​of life After the battle of Borodino, the mortally wounded Prince Andrei ends up in the hospital and there he suddenly recognizes Anatoly Kuragin in one of the wounded. Anatole, in fact, is already dead as a person, and Bolkonsky retained his spirituality. He plunged into memories "from the world of children, pure and loving." Lying on his deathbed, Prince Bolkonsky discovers the true values ​​​​of life (love) and the realization of the ease of transition to another world. He sees Natasha and he loves her, but now he loves in a new way, he has truly pure and deep feelings for her. And now love for Natasha made him color everything around with this living feeling and forgive Anatole Kuragin.