Today we will tell you who Alexander Bashlachev is. His biography will be discussed further. We are talking about a Russian poet, author and performer of songs, one of the representatives of the Soviet underground.
Alexander Bashlachev was born in 1960 in Cherepovets. His father was Nikolai Alekseevich - the head of the shop section. Mother Nella Nikolaevna is a teacher of chemistry. Alexander Bashlachev worked as an artist. It was at the plant. Until 1983, he studied at USU, in Sverdlovsk. Became a student of the faculty of journalism. After university he returns to Cherepovets. There he worked for a year in a newspaper called "Communist".
Alexander Bashlachev met with Artemy Troitsky in 1984 in Cherepovets. At the invitation of the latter, he played a number of apartments in Leningrad and Moscow. In the autumn of 1984 he left Cherepovets, first for Moscow, later for Leningrad.
The first apartment concert in Moscow took place with Nikola Ovchinnikov. The second performance a few days later was with Gennady Katsov. In 1985, the debut public performance took place. It was held in Leningrad together with Yuri Shevchuk, within the walls of room 6 at the Leningrad Veterinary Institute. A recording of this performance was published and was called "Kochegarka".
In the same period, the musician recorded the first album. Sergey Firsov was the organizer. The recording took place within the walls of Alexey Vishnya's home studio. Later, this work was published under the name "Third Capital". Since that time, Firsov calls himself the director of the musician. Also this "position" was occupied by Igor Vittel.
Alexander Bashlachev February 17, 1988 fell out of the window of the 8th floor, while in a rented apartment in Leningrad. The musician died on the spot. One of the most likely versions of death is suicide. At the same time, the reasons for the fall have not been precisely established.
Alexander Bashlachev died at the age of 27 on February 17, 1988. He committed suicide by throwing himself out of a window at home. Bashlachev wrote songs that were understandable and close in theme to many people, he himself performed them, playing the guitar. He was a talented musician with a difficult fate.
The death of Alexander Bashlachev came as a result of a fall from a window from a height of the 8th floor. No investigation was initiated, the cause of death was obvious - suicide. The talented poet, bard, author and performer of songs died on February 17, 1988, at the age of 28.
On the morning of February 17, 1988, Sasha Bashlachev fell out of a window on the 8th floor. From his injuries, the poet died on the spot. It happened at Prospekt Kuznetsova 23/1, where Alexander rented a odnushka.
The death of the 27-year-old bard was called suicide, while the real causes of death that led him to such an act remain unclear. However, beloved Anastasia said that Sasha was very lonely because of the peculiarities of his worldview.
There is an assumption that Alexander Bashlachev committed suicide because of the Cassandra complex that manifested in him (a constant premonition of something bad). This could explain his depressed state, close to depression. Despite superficial sociability, Sasha, as a creative person, turned out to be very vulnerable and often felt lonely. At first glance, this was not noticeable, but many friends noted minor oddities and detachment in his behavior before his death.
The death of a Russian poet, a representative of the Soviet underground, was reported by the BBC Russian Service.
The funeral of the deceased poet took place on February 23, 1988. For unknown reasons, the ex-wife of Viktor Tsoi Maryana (nee Marianna Kovaleva) was involved in the organization.
Alexander was buried at the Leningrad Kovalevsky cemetery on the 3rd section of the 3rd quarter, as indicated in Wikipedia. Despite the large number of people who came to say goodbye, the ceremony was held in silence. There were no sobs, no memorable speeches about the deceased.
When the coffin was closed, they put a guitar on it, but not for Sasha, but bought in a store. I gave my SashBash for repairs the day before.
The frozen ground hit the strings and they sang, but not for long. The guitar of Sasha Bashlachev fell silent forever ...
Alexander Nikolayevich Bashlachev was born on May 27, 1960 in Cherepovets, Vologda Oblast. Parents are ordinary Soviet workers. My mother was a chemistry teacher, my father worked as a site manager at a manufacturing plant.
Having received a school certificate, in 1977 Bashlachev made an attempt to enter the university of journalism, but failed the entrance exams and got a job as an artist at a metallurgical plant.
In 1978 he entered the Sverdlovsk Ural State University at the Faculty of Journalism. Around this period, he appears the first song, which later became quite famous. It was the "Griboyedov Waltz".
Having received a diploma in journalism, he returns to Cherepovets and goes to work for the local newspaper Kommunist, where he has been working for one year.
Arriving at the Leningrad Rock Festival in the spring of 1984, Sasha gets his first guitar. Later, in the spring of this year, he meets A. Troitsky, to whom he shows his songs. At that time there were about fifteen of them. After listening to them, the music critic gives the young man advice to go to Moscow or St. Petersburg, where he can reveal his talent.
Following the advice of a "respected" person, Alexander Bashlachev goes to Moscow. Here he finds Troitsky, who assists in organizing several apartment houses, where a novice musician from Cherepovets gave his concerts.
Sasha will soon get tired of wandering around the sleeping areas of Moscow, and he decides to try his luck in the northern capital. The first public performance is considered to be a concert given in a room that belonged to a veterinary institute. Together with Y. Shevchuk, he performs several songs, which is meant as a separate concert, which later began to be published under the name "Kochegarka".
The first album "Third Capital" is recorded with the help of one of the members of the Leningrad rock club S. Firsov, who later began to play the role of Alexander's concert director. Under his leadership, he writes compositions that have become hits:
Since January 1986, he has been active in concert activity, traces of which have been preserved in history in the form of 2 recordings: one was made at Ageev's house, the second at the Taganka Theater.
Alexander finally moves to Leningrad, gets a job at the Kamchatka boiler house, known in narrow circles, through which V. Tsoi, K. Kinchev and other representatives of the rock underground of that era passed.
The following year, Sasha takes part in the video work of Alexei Uchitel, who shot the documentary "Rock" (later a scene from Alexander's funeral was added to the picture).
In the summer of the same year, he participates in the 5th Rock Club Festival and receives the Hope prize as a result. Then he composes his last song, the text of which, unfortunately, has been lost.
In September 1987, the filming of the film "The Bards Leave the Yards" began, but Bashlachev refused to continue working in it. The project remained unfinished.
During his short life, SashBash did not have time to get married. At the time of his death, he met with the daughter of film director R. Rakhlin Anastasia. When and under what circumstances they met is unknown, but six months after Sasha's death, the girl gave birth to a son, Yegor.
The leader of the Alisa group, Kinchev, said that they were friends with Sasha, and his death is the first loss of a “person close in arms” in the life of Konstantin.
He noted that long-term depression worried many friends, so with the composition "The Sun for Us", dedicated to Alexander Bashlachev, he tried to get him out of there. Unfortunately, this was not possible.
“How the idols left. Alexander Bashlachev»
In 1960, in the Vologda region, Alexander Nikolaevich Bashlachev, also known as SashBash, was born, the future poet and performer, who became one of the brightest and most iconic representatives of Russian rock.SashBash's father, Nikolai Alekseevich Bashlachev, worked at a local plant as a site manager in a heat and power shop. Mother, Nelli Nikolaevna, worked as a chemistry teacher in secondary school No. 4 in the city of Cherepovets.
The following year, Bashlachev nevertheless managed to enroll in the first year of the Faculty of Journalism of the Ural State University in Sverdlovsk. While studying at the university, he regularly traveled to his homeland by train No. 193, following the Sverdlovsk-Leningrad route, which he later sang in one of his hits. In those years, Bashlachev composed texts for a little-known group from Cherepovets - "Rock-September". However, these poems had little to do with his subsequent work. These were just “pen tests”, milestones on the way to becoming a songwriter)
In 1983, when Alexander Bashlachev graduated from the Faculty of Journalism, songs appeared that became famous - for example, "Griboedovsky Waltz". After university, Bashlachev was assigned to work for a newspaper with the promising title Kommunist in Cherepovets. There he worked for the next year. I had to describe the achievements of the local plant in the industry of the region. As Alexander's mother later said, this was very depressing for the beginning “shark of the pen”.
Later, Artemy Kivovich helped Bashlachev organize a series of apartment concerts in these and other large cities of Russia, bypassing participation in various rock festivals. One of the first apartment dwellers was at the house of the artist Nikola Ovchinnikov. A few days later, in the house of the poet Gennady Kravtsov, the second concert of the musician took place.
Alexander for some time "interrupted", playing the apartment in Moscow. Then he moved to Leningrad. Still, Bashlachev decided to stay in the northern capital.
Alexander Bashlachev - "Time of Bells"
The recording of the first album, called "The Third Capital", took place in 1985 at the home studio of musician Alexei Vishnya. The organization of the recording was actively promoted by one member of the St. Petersburg rock club, Sergei Firsov, who was later considered the director of Alexander Bashlachev.
In April 1986, the musician recorded an album at the studio called "Eternal Post". True, six months after the publication, Bashlachev erased the original.
The bard wrote the last song that has come down to us in Cherepovets in May 1986.
Alexander Bashlachev - Staff (good quality)
In 1987, SashBash occasionally performed at apartment houses. In the spring, he starred in a documentary directed by Alexei Uchitel - "Rock", but later refused to participate in the filming process. The scene of Bashlachev's funeral was later captured on film by the film crew and released as an addition to the film.
In June 1987, the musician took part in the fifth festival of the Leningrad Rock Club, and received the Hope prize as a result of the event. Before the festival, Bashlachev attempted suicide. In the same month, he played at a rock festival in Chernogolovka.
In August, Alexander composed his last song, but its lyrics have not been preserved.
At that time, Bashlachev was in a long depression, which was reinforced by everyday disorder. The negative was also added by the fact that he could not officially marry his common-law wife Anastasia. Then the musician tried to commit suicide more than once.
In September of the same year, 1987, SashBash starred in the film "Bards Leave the Yards." True, the project turned out to be unfinished for him - he refused to continue acting in this tape. In early 1988, Bashlachev gave several more concerts in Moscow. His last performance took place on January 29, 1988 at an apartment concert in the house of Marina Timashevskaya.
From Wikipedia, the free encyclopedia
Alexander Nikolaevich Bashlachev (May 27, 1960, Cherepovets - February 17, 1988, Leningrad) - singer, songwriter and performer. A key figure and icon for fans of Russian rock, one of the most important representatives of the Soviet underground.
Alexander Bashlachev was born in Cherepovets, Vologda Oblast, in the family of Nikolai Alekseevich Bashlachev, head of the heat power shop section, and Nelly Nikolaevna, a chemistry teacher.
In 1977-1978 he worked as an artist at the Cherepovets Iron and Steel Works. In 1978-1983 he studied in Sverdlovsk at the Ural State University at the Faculty of Journalism. After university, he returned to Cherepovets, where he worked for a year in the Kommunist newspaper.
In September 1984, in Cherepovets, at the apartment of Leonid Parfyonov, he met Artemy Troitsky, at whose invitation he played a series of apartment games in Moscow and Leningrad. In autumn 1984 he left Cherepovets, first for Moscow, then for Leningrad.
Bashlachev's first apartment concert in Moscow was held in the apartment of the artist Nikola Ovchinnikov, the second - a few days later in the apartment of the poet Gennady Katsov in Tekstilshchiki
In March 1985, he made his first public performance in Leningrad together with Yuri Shevchuk in room 6 of the Leningrad Veterinary Institute (99 Moskovsky Ave.). This concert took place immediately after the III Festival of the Leningrad Rock Club, therefore it was called the “Fourth Day of the Festival”. A recording of this concert was published under the title "Kochegarka".
At the same time, he recorded his first album, the recording was organized by Sergei Firsov in the home studio of Alexei Vishnya, later this recording was released under the name "Third Capital". From that moment on, Firsov considers himself the director of Bashlachev.
The next year he finally settled in Leningrad, where he joined the Rock Club. With the help of the same Firsov, since March 1986, he has been officially employed in the Kamchatka boiler house. In June 1987, at the Fifth Leningrad Festival, he received the Hope prize.
1987, spring - filming in the documentary film by Alexei Uchitel "Rock". In the process of filming, he refused to participate in them. Later, when Bashlachev died, Alexei Uchitel's group filmed his funeral and included footage of this event in one of the versions of the film.
June 1987 - performance at the fifth Leningrad rock festival in LDM, performance at the rock festival in Chernogolovka.
August 1987 - filming in the film "Bards Leave the Yards" (Kyiv), in which he refused to participate in the process.
On January 29, 1988, Bashlachev's last concert, preserved on record, took place at the apartment of Marina Timasheva.
Between 7 and 9 o'clock in the morning on February 17, 1988, he fell out of the window of the eighth floor of house 23 on Kuznetsov Avenue in Leningrad, died on the spot. The most likely version of death is suicide, but the true causes of the fall have not been precisely established. February 23, 1988 - buried in Leningrad at the Kovalevsky cemetery.
The late Bashlachev is sometimes included in the 27 club along with musicians who died at 27.
Alexander's favorite bands were The Doors and Aquarium.
“An unfamiliar young poet should come into literature not with a smooth suitcase of neatly fitted verses, but with a bag full of sharp nails that stick out in different directions and hurt me and hurt me, and his pain becomes my pain.
He speaks about the familiar world surrounding me with familiar words, but located in unusual combinations, which is why the construction of this world appears to me as voluminous. He reveals to me the multi-layered meaning of phenomena and such depths, under which there is not emptiness, but a new meaning. Then, struck by his vigilance, I scream, weep with him and rejoice with him, because his world becomes, as it were, mine.
This is how I perceived the poems of A. Bashlachev, an unfamiliar but true poet, who spoke his word with genuine inspiration and unquenchable pain.
- Bulat Okudzhava, 1988
The purpose of this article is to find out the cause of the death of the author and performer of songs, one of the most important representatives of the Soviet underground, ALEXANDER BASHLACHEV, according to his FULL NAME code.
Watch in advance "Logicology - about the fate of man".
Consider the FULL NAME code tables. \If there is a shift in numbers and letters on your screen, adjust the image scale\.
2 3 28 40 41 65 72 75 76 88 94 105 123 124 138 143 160 174 184 195 210 222 223 229 232 242 266
B A S L A C H E V A L E X A N D R N I K O L A E V I C
266 264 263 238 226 225 201 194 191 190 178 172 161 143 142 128 123 106 92 82 71 56 44 43 37 34 24
1 13 19 30 48 49 63 68 85 99 109 120 135 147 148 154 157 167 191 193 194 219 231 232 256 263 266
A L E X A N D R N I K O L A E V I C B A S L A C Y V
266 265 253 247 236 218 217 203 198 181 167 157 146 131 119 118 112 109 99 75 73 72 47 35 34 10 3
BASHLACHEV ALEXANDER NIKOLAEVICH = 266 = 225-Crashed WHEN FALLING FROM ... + 41-WINDOWS.
266 = 43-DURING + 223-FALLING FROM THE WINDOW CRASHED.
266 = 105-WHEN FALLING + 161-FROM THE WINDOW CRASHED.
266 = 124-WHEN FALLING FROM... + 142-THE WINDOW SHAKED.
266 = 148-END OF LIFE + 118-FALL FROM THE WINDOW.
266 = 225-\ 148-END OF LIFE + 77-FALL FROM...\ + 41-WINDOW.
266 = 190-LIFE IS INTERRUPTED + 76-AGONY.
Let's check the reliability of this decryption with a table (No. 1):
8 18 27 41* 70 86 103 109*126 129 130 142*143**161**190* 191**195*210**224 234 266*
LIFE P E R V A L A S + A G O N I A
266*258 248 239 225* 196 180 163 157*140 137 136 124**123**105* 76** 75* 71** 56* 42 32
We see a match of 4 columns: 124**\\143** 123**\\161** 76**\\191** 210**\\71**
266 = 105-EXODUS FOREVER + 161-ACT OF SUICIDE.
Let's check the reliability of this decryption with a table (No. 2):
10* 28* 50 65* 70 84 85* 88* 94** 105** 123**124**137 152 172*174*184**194*212 231*234 235
AND S H O D N A V E K + S A M O U I J S T V A
266*256*238*216 201* 195 182 181*178**172** 161**143**142*129 114 94* 92** 82* 72* 54 35* 32
236 247**266*
ACT
31 30** 19*
We see a match of 6 columns: 94**\\178** 105**-172** 123**\\161** 124**\\143** 184**\\92** 247** \\thirty**
266 = 154-DOWN FROM WINDOW FALL + 112-DOWN FROM WINDOW FALLING \.
3** 17 27 36 46 55 70 81 95 96 112*113 118*124*138**148*154**
LOWER AND LOWER O K N A P A D E N AND E +
266**263*249 239 230 220 211 196 185 171 170 154*153 148* 142**128*118**
157**171 181*190* 200 209 224 235 249 250 266*
B L N W I Z O K N A P...
112**109* 95 85* 76* 66 57 42 31 17 16
We see a match of 4 columns: 3**\\266** 138**\\142** 154**\\118 157**\\112**
10 19 34* 45 59 60 63* 77 87 96 112* 122 131* 146**157**171 172* 175 189 199 208
I Z O K N A V N I Z P... + I Z O K N A V N I Z
266*256 247 232*221 207 206 203*189 179 170 154*144 135**120**109* 95 94* 91 77 67
224 225*230 236 250 260 266*
THE FALL
58 42 41* 36 30 16 6
We see a match of 2 columns: 146**\\135** 157**\\120**
Moreover, in this table, both columns are located in the center - to the left and to the right of them - 13 letters each.
213 = DEATH FROM JUMP.
Let's check the reliability of the decryption with two tables:
18 24 37 51 52 57 80 81 100**115**121** 142 148*151 168 169 181 213
S E M N A D C A T O E F E B R A L
213 195 189 176 162 161 156 133 132**113** 98** 92* 71 65* 62 45 44 32
4 14 16 22 34 63 77 92* 98** 113**132** 148*165 193 201 212 213*
FATAL J E JUMP
213*209 199 197 191 179 150 136 121** 115**100** 81* 65* 48 20 12 1
We see the coincidence of three columns, going sequentially one after another:
121**\\98** 115**\\113** 100**\\132
Code for the number of full YEARS OF LIFE = 86-TWENTY + 66-SEVEN = 152.
According to the table (No. 2): 152 \u003d 105-EXODUS FOREVER + 47-SELF \ murder act \.
We look at the column in the upper table of the FULL NAME code:
123 \u003d 86-TWENTY, CATASTR \ OFA \ + 37-SEM \ b \, ... OFA
_______________________________________________________
161 = ACT OF SUICIDE
161 - 123 \u003d 38 \u003d SU \ icide \.
Note:
Oddly enough, but almost everyone who refers to the reasons for Bashlachev's suicide agree that it is impossible to explain them. Here are just a few statements of people who tried to uncover the secret of a voluntary farewell to the life of Sasha Bashlachev “His death still remains a mystery”; “It is still a mystery why he left when, it would seem - after unbelief and darkness - his bell time began. Or maybe it’s not necessary, it’s not worth guessing this riddle.
For the explained poet is no longer a poet”; “What did his voluntary farewell to life mean - this roar of an open window to nowhere”; “I would not want to delve into the reasons and motives for what he did, so as not to breed gossip, especially since these reasons are not public, they were hidden in himself”; Why Sasha Bashlachev passed away. Maybe from the feeling of being alien to the present. As if he got into a temporary whirlpool, he could not get out of the past ... ";
“Why he decided to end his life (and therefore poetry) is also a mystery, and you should not dress it up in romantic clothes of fatality, supposedly inevitable for a poet of early death”; “And when the world is so unsettled, imperfect and so merciless to everything that is loved, one can probably survive this too. Probably you can. He could not. And this is not his fault”; “We will never know the answer to the question of why he decided to take this step. A step into an open window, a step into nowhere, into darkness and insensibility.
No one - neither his relatives, nor his friends, nor his beloved woman - can say why he took this step not at a time when our lives were ruled by stupidity and self-satisfied mediocrity, when everything talented was desperately losing or quitting the game without even trying to win. He left this life when we all had hope, when everyone was choking on the permitted freedom, the variety of opportunities and plans. He received lucrative offers, could go on stage and sing his songs. But he preferred silence ... Or maybe even then he foresaw the appearance of chaos, which gave birth to uncertainty and swallowed up hopes for a normal human life, for harmony in the soul and in the house .. However, he was far from politics, but he acutely felt the sadness and loneliness of life , the changeable fragility of the beautiful and the “jolly” humor of evil ... "There are also opinions that Bashlachev, as a Russian poet, a poet with a capital letter, simply could not do otherwise" And could a poet, so devoted to the life-creating concept and possessing such an extremely tragic voice, end life differently. Many try to reduce the reasons for his suicide to mental disorders, drugs and even politics "Probably real medicine could save him from depression - the kind of medicine that we do not have"; “He was prone to bouts of depression, was treated in a psychiatric clinic”; “How it happened, we were able to understand, but here's why ... I still think that it was not suicide - at least suicide in its classic form. I tend to think that mushrooms are to blame. And mushrooms act on the psyche in a very strange, unpredictable way - especially on such a receptive psyche as Sasha had. Can push to the most incredible actions. It seems to me that at that moment it seemed to him that he could fly. And he flew ... ”(Zadery).
Tonnel.ru›?l=book&268
His common-law wife, Anastasia Rakhlina, said that Alexander was constantly in a state of depression, which has intensified recently. He felt lonely, despite his seeming sociability. People did not understand him, and life did not turn out the way it should. Many did not see what he felt and understood: this depressed Bashlachev, who was constantly in anguish.
Tizer42.ru›news/death…bashlachjova/2016-10-26-170
He, like a meteor, broke into the cultural life of the country and also quickly left. Now, bit by bit, they are collecting his legacy, trying to unravel the phenomenon of his mysterious genius. Books, articles, philological studies and dissertations have been written about his work.
What kind of universe was this - Alexander Bashlachev? What was trying to speak to us through him?
Sasha himself repeatedly said that his poems literally overshadowed him. “A ray of light, such a pillar, then - poetry” - as he himself said about the process of insight to his friend Sergei Smirnov. And once he answered another friend of his, Mark Kopelev, to the question of how it happens with him: “You know, it seems to me that it’s not me ... writing. Who? I don’t know… Someone is there…” and pointed upwards with his eyes. Often he did not fully understand the meaning of what was written, and only in the process of processing the incoming material did he begin to delve into the essence. All this only says that there was an action of a high spiritual being who, choosing Sasha as a vessel, inspired him. One way or another, many creative people experience this kind of inspiration, only all this, with varying degrees of talent, eventually reaches the world. The level of inspirers, their belonging to different, often polar spiritual spheres, determine the deeds of their earthly co-creators in very different ways.
From September 1984 to May 1986, Sasha wrote in such an inhuman, dense rhythm that it was simply amazing. Almost 60 songs were written then, many of which, like “Egorkina epic” and “Vanyusha”, already went beyond just a song at one time of performance. These were real mysteries, a kind of epic confession, 15-20 minutes each. And there were also “Name of Names”, “Eternal Fast”, etc., also rather big ones.
And in May 1986, the stream of light dried up. There was silence. Sasha probably did not immediately understand that this was the end of the gifts. He was exhausted and thought it was time to take time out and take a breather. Human strength is not beyond. He was pumped out and creativity and concerts. But it was already a predetermined end of the creative path. In fact, everything that happened from May 1986 to February 1988 can only be called agony.
To this proposal (you can’t call it otherwise than agony) the following decoding of the code of the FULL NAME OF ALEXANDER BASHLACHEV is suitable:
266 = 76-AGONIA + 190-\ 102-KILLED HIMSELF + 88-IN AFFECT \.
In the table (#1): 190 = LIFE IS INTERRUPTED.
The Creative Spirit that had given him so much left him. Sasha did not give up, looking for a way to him. But time passed, and absolutely nothing happened. In the summer of 1987, Sasha and his wife Nastya sat in a village near Cherepovets for about a month and this was the last attempt to start writing again. Nastya assures that he wrote a lot during this month, sat all night long with a guitar, tried to clothe poetry in songs. But then he destroyed everything written, and left hitchhiking with his friend Slava Zaderiy to Central Asia for several months. Obviously, he understood that this was not the level of "Vanyusha", "Eternal Lent" and his other great ones. It was already he himself, helpless before that incredibly high bar, below which he already had no right to jump.
“He was a poet - this is what makes him interesting” (I. Smirnov); “Closest of all, of course, is the word ‘poet’, but in its original natural meaning, linked with the play of the elements”;
“Bashlachev is a poet, not a historian and philosopher” (A. Zhitinsky); “I knew that Sasha Bashlachev was a poet, not a text writer” (N. Naumenko); “a true poet, a poet from God, sooner or later he had to take a place in literature” (I. Karney); “Bashlachev was a brilliant poet” (A. Rakhlina); “Rock was “beheaded”, having lost its best poet” (G. Frolova); “The more time passes, the more mysterious this figure seems. Personality. Poet "(E. Borisova); "BUT. Bashlachev took place as a poet ”(V. Koshelev, A. Chernov); “A true poet, a poet in the highest sense of the word” (A. I. Nikolaev); “If the literary merits of many rock texts can be discussed for a long time, then the fact that Bashlachev is a poet is indisputable” (O.V. Paliy).
To complete the picture, here are reviews on the publication of Bashlachev's works: “One thing is absolutely clear - a poet lived in the world. A poet unfamiliar, but true, who spoke his word with genuine inspiration and unquenchable pain” (B. Okudzhava); “His talent was supposed to adorn the Russian poetry of the 80s ... He had much more rights to recognition than many of those whose poetry collections have been collecting dust on store shelves for years” (“Interlocutor”, August 1988); “One thing is clear even now: Bashlachev is our national poet” (A. Zarubin); “On the bank of the Aksai, we wrote in letters, probably ten by ten meters in size:“ All power to the poets ”” (Zaderiy).
Later, the vocalist of the Rock September rock group Oleg Hakman said: “Bashlachev was a very chic poet with us. Everyone was happy. We have already recorded our songs.
No one knew Sanya. What is a group poet? Nobody knows what it is. Me there with the bass guitar, Slavka…. This is clear. And what are the verses? And then only, after the passage of time ... Sanya Bashlachev is a poet. We are the stars. Sanya in her arms, I remember, was carried to the hall on her birthday. He was exactly that poet - branded, real.
And what he did later with the guitar was already really there ... It was nonsense for him to write these hits. For him, it was not important at all. Although these hits are known all over Russia. "Hey, help! it’s very difficult for me alone ... ”- the genius wrote! Now I think that Bashlachev is a genius. Words, listen to the words:
The rain fills all the roads,
The sky is like a sieve.
My island was left on the edge
And no one swims here.
Where are you friends?
What happened to you
In a world as quiet as a dream?
Only farewell beeps
Your phone answered me.
Hey help!
It is very difficult for me to be alone.
Hey you understand
Which I don't understand myself.
This is genius. Not in the sense: the poet is a genius, but he is a genius in essence. He was ahead of his time. He came up with, told me: "Oleg, let's make an alphabet." With such an intonation, only Bashlachev could come up with an alphabet. intonation game. He felt all this - a word, a syllable, intonations - this is very important for a poet. And now they have already remembered Bashlachev. Although, in principle, they did not see him, did not know him, no one perceived him. The paradox is that life puts everything in its place in time. Now I understand why Sasha burned down. In general, he is also not a man of the metropolis. He was a kind, normal person who thought, one might say, while sitting there, on Engels.61 He saw more and knew more, he was a very smart and talented person. He saw, he knew everything. He is this life that we live now, he knew it, he already felt it. I am now singing these songs and they seem to have been written just about, just now. And 20 years have already passed. Here's what I think we need to focus on. Because we cannot evaluate ourselves. For people, Bashlachev is nostalgia, first of all. Because it was "Rock September", and without Bashlachev it does not exist. And maybe there is no Bashlachev without “Rock - September”, because he absorbed it all, because for him, this period was such a starting point, such a platform - the House of Culture.
The listeners accepted Bashlachev's songs with enthusiasm, he played apartment houses in Moscow, and Leningrad, and in Siberia, and in Central Asia, writing many songs on these trips. The peak of his work came in 1985, during which the songs "Vanyusha", "The Road", "Egorkina Bylina", "On the Life of Poets", "Absolute Watchman" and "A Case in Siberia" were written. Bashlachev himself said that the songs simply “overshadowed” him, and he guessed the meaning of some lines months later. All these works performed by Bashlachev made an indelible impression on the audience. So, for example, the epic "Vanyusha" brought listeners into a stupor, showing the Russian soul turned inside out with all its contradictions, torn edges, ugliness and beauty. Bashlachev forgot about everything when he sang "Vanyusha", and the listeners, waking up with the last chord, usually noticed that the guitar was splashed with blood, as Bashlachev broke his fingers, making the listeners have tears in their eyes, and there was a feeling confessions in the heart.
In the last year of his life, Bashlachev was clearly experiencing an internal crisis, the causes of which remained unclear. Perhaps it was the inadequacy of the perception of the surrounding reality. He made repeated suicide attempts, one of which occurred on the eve of the fifth rock festival. In early 1988, Bashlachev gave several concerts in Moscow and planned new performances, but a concert at Marina Timasheva's apartment on January 29, 1988 turned out to be his last performance. On February 17, 1988, Alexander Bashlachev, after returning to St. Petersburg, committed suicide by throwing himself from the ninth floor of an apartment on Kuznetsova Avenue.
Bashlachev left a completely unique legacy to his descendants. In a short period of time, he created more than sixty songs, the formation of the style of which and his poetic language was influenced by the song poetry of Vysotsky and Galich, the songs of Grebenshchikov and Naumenko, poetic experiments of the beginning of the century and ancient Russian epic poetry. Bashlachev created his own artistic world, the influence of which, in turn, is noticeable in many songs of the groups "Alisa", "Kino", "Kalinov Most" and many other rock bands.
About Alexander Bashlachev, a documentary film "Deadly Flight" was shot.
chtoby-pomnili.livejournal.com›525242.html
When Sasha Bashlachev began to sing, he turned from a small, frail young man into a fabulous giant in a few seconds. Many have seen this transformation. Many listeners could not stand the nerves from severe mental and emotional overstrain. There were cases when the ladies present at the apartment buildings fainted. Marina Timasheva once told Sasha that when she listens to his songs, it’s like a microstroke happens in her brain, that every second it’s like a small bomb explodes there. Sasha calmly listened to her and answered: “Now, Marina, imagine what I experience inside myself, what I carry in myself.” Sasha had an understanding of his cross burden.
It's time to pull Sasha out of the closed rock and roll community, and bring it to the level of Russia's national treasure. Yes, and cultural figures, it's time to finally understand that in his person they overlooked the last genius of a bygone era.
Alexander Bashlachev - the last genius of a bygone era
Let's continue with a few more columns:
195 = COMMITTED HIMSELF
____________________________
82 = IN AFFECT \ e \
195 - 82 = 113 = SUICIDE.
266 = 152-TWENTY-SEVEN + 113-SUICIDE + 1-A.
266 \u003d 195-COMMITTED HIMSELF + 71-POCON \ Chill ... \.
88 = IN AFFECT
___________________________
190 = DEATH IN AFFECT
190 - 88 = 102 = KILLED HIMSELF.
266 = 99-IN DEPRESSION \ and \ + 167-WAY OF DEATH.
167 - 99 = 68 = KILLED HIMSELF.
266 = 109-DEPRESSION + 157-WAY OF DEATH\ and \.
157 - 109 = 48 = SUI \ cid \ = ...ICID.
120 = FALL OUT THE WINDOW = END OF LIFE
__________________________________________
157 = PATH OF DEATH\ and \
109 = ...END OF LIFE = DEPRESSED
_______________________________________
167 = WAY OF DEATH
167 - 109 = 58 = FALL.
210 = UNCONTROLLED
____________________________
71 = ACTION\e\
210 - 71 = 139 = BRAIN.
266 = BRAIN FAILURE.
266 \u003d 147-BRAIN RHYTHM FAILURE + 119-DROPPED OUT OF THE WINDOW \ a \.
266 \u003d 120-FALL OUT OF THE WINDOW + 146-BRAIN RHYTHM FAILURE \ a \.
Note:
Bearing in mind that the human brain is a colossal computer, we, having adjusted the numbers 85 and 181, will get the following reading of the FULL NAME code:
181 - 1 = 180 = DEATH PROGRAM; 85 + 1 = 86 = SUICIDE.
180 - 86 = 94 = FALL DOWN, DEATH.
Summarizing the above, the following conclusions can be drawn:
266 \u003d 162-CAUSE OF THE DEATH OF BARD + 104-TEAM IN THE BRAIN.
162 - 104 = 58 = FALL.
The reader can easily find the numbers 162 and 104 in the bottom table. The number 162 is located between the numbers 157 and 167, and the number 104 is between the numbers 99 and 109.
If we replace the expression 167 = WAY OF DEATH with 167 = MATRIX OF DEATH, then, for example, the incomprehensible death of ZHEMUKHOV ARTUR UMAROVICH will become clear to us (the article "A. U. Zhemukhov. The place of death cannot be changed"):
264 = 167-DEATH MATRIX + 97-\ 57-ROAD + 40-Accident \, MURDER.
But what, according to the myth-makers, pushed Bashlachev to commit suicide? Confidence that glory is guaranteed only after death? The theatrical effect that suicide was supposed to produce on the public? Or something else?
The daily audience of the Proza.ru portal is about 100 thousand visitors, who in total view more than half a million pages according to the traffic counter, which is located to the right of this text. Each column contains two numbers: the number of views and the number of visitors.
Poet and performer
"I know that the soul begins to toil again on earth, as soon as everyone has forgotten about its previous life. The energy of memory keeps the soul in heaven." Alexander Bashlachev
His father, Nikolai Bashlachev, was the head of the Cherepovets metallurgical plant, and his mother, Nelli Bashlacheva, was a chemistry teacher at school.
In the period from 1967 to 1977, Alexander studied at a secondary school in Cherepovets. Bashlachev's class teacher Roza Molotkova said: “Sasha Bashlachev studied in my class. And the class was large, more than forty people ... But it was immediately noticeable who he was. He was very mobile, such a cute, curly boy. Among his friends were Maxim Permyakov and Andrey Shults - such a trinity, leaders in the class. The kids were drawn to them. Sasha was their horse-breeder. At that time it was fashionable to publish almanacs, and I asked: "Who agrees to publish an almanac?" "Which one then?" - they ask. - Satirical. Artistic, poetic - who has what talent. "And what will be in the almanac?" "And all!" - I answer. Bashlachev immediately: “I can write poetry!” And immediately after him: “Me too! and I! Let's write poetry together! Maxim will draw. A whole edition was organized at once. And off we go! We had such beautiful almanacs. Nowhere else have I seen anything like it. When our almanac was hung out, the whole school came running to watch. The guys wrote about their comrades, about friends, described interesting events, competitions, contests. With a commander like Sasha, they caught fire quickly. He knew the strengths, abilities and capabilities of his guys well, he put everything in its place, hedged, led. And we always won competitions, from class to class. Relations in the class were simply wonderful - no strife, no strife, the atmosphere was friendly, friendly. And this is a considerable merit of the leader - Sasha Bashlachev. At the end of the 6th grade, he began to write some kind of book, prose. Poems, apparently, had already fed him, by this time he had become so mastered that, for any reason, he began to speak in verse. I once brought a book on the technique of versification. The whole class read, absorbed, discussed. Collective was creativity! Many then composed poetry, some girls wrote even better than Sasha. And so he switched to prose ... For the desire to describe what is happening, he was somehow called a chronicler. It's a pity that they never found her, the chronicle of a student of the ninth school, Alexander Bashlachev. They say that he destroyed it himself - he was ashamed of his early work. Sasha was very fond of reading, so we immediately found a common language with him. I read a lot, I loved adventures. From time to time I brought books to school that I myself read as a child. "Til Ulenspiegel" he was terribly fond of! Loved the classics. Yesenin, Vysotsky - for sure. The boy was very well-read. Already in the 7th grade he told me that he would be a journalist. And at that time I subscribed to a series of books on philosophy: Montaigne, Sextus Empiricus, Aristotle. I still love Michel Montaigne the most. After all, what a man he was! During a wide variety of intrigues and palace coups, he did not interfere in anything, did not serve at court, although he was repeatedly offered. He was an independent person, he was engaged only in his own creativity, although there were opportunities, as they would say now, to make a brilliant career. I don’t remember exactly whether I suggested it myself or Sasha saw the volume and asked me to give it home to read. “Now I understand, Roza Mikhailovna, what is the morality of a person - in his independence!” He somehow quickly perceived everything positive that was invested in him. He used everything new at school to the full, which was later reflected in his poems and songs. By the end of the school, Sasha already had a guitar, and he began to master it ... Sasha grew up before my eyes, matured and developed. While his comrades were running, jumping and galloping, he was reading dozens of books. I started writing very early. He made attempts not only to write, but also to understand his own life. He is not a natural! He was a smart, educated, comprehensively developed person, who worked a lot on himself throughout his life. I do not presume to judge the level of Sasha Bashlachev's talent - time will tell. You can not compare him with anyone, he has his own spirit. “Well, what are you, be bold! We need to fly! And well - from the screw! Everything from the screw!
After graduating from school, Bashlachev went to work at the Cherepovets Metallurgical Plant as an artist. A year later, he quit his job and entered the faculty of journalism at the Ural State University in Sverdlovsk. In between studies, he returned home to Cherepovets, where he helped the Rock-September group and wrote lyrics for them. "Griboedovsky Waltz" is one of the first songs written and sung by Bashlachev himself at that time. His first songs were uncomplicated, and at that moment in Bashlachev it was not easy to discern that rock bard, who was soon destined to become a symbol of a whole trend in the music of the 1980s. Mom Alexandra Nelli Nikolaevna recalled: “How many times I tried to persuade him to enter a technical university - I didn’t want to go to any! He himself decided that he would receive only a humanitarian education. Or journalism, or languages. And to that, and to another ability was. Sasha's school essays were always among the best, no matter what he wrote about. He studied German, but somehow translated texts from English, which he hardly knew. After the tenth grade, in company with a friend, he went to Leningrad to enter the Faculty of Journalism. Two rounds of the creative competition went well, and he was not allowed to the third round, because he had no publications. When he returned from Leningrad, he began to study at the junior school at the "Communist". Captured, however, the very end of the course. And his notes began to be printed at the same time ... It seems to me that he was simply afraid to enter Leningrad a second time. And I chose Sverdlovsk - there was a very strong school there at that time.
Bashlachev's classmate Viktor Meshcheryakov said: “Sasha studied not only easily, but effortlessly. I never saw him reading textbooks or taking notes from lectures. He studied only in the session, borrowing notes for the night (it was impossible to refuse him something) from senior students. He did not have close relationships on the course, although he maintained equal relations with everyone. Since the 3rd year, I often had to excuse him from absenteeism (I was the headman). For most of the school year, he disappeared in Cherepovets. By the third year, his bardic inclinations clearly began to break through. At lectures, he wrote texts for his group from Cherepovets "Rock-September", which became the winner of a competition among rock groups organized by Komsomolskaya Pravda. I remember such songs as "Oh, Radio", "Father-Tsar", which he performed himself or in a duet with Sergei Nokhrin. Vysotsky's songs were also in his repertoire. Since the third year, we often went together with him to our dacha with my wife (by that time I had already married) in Palkino, 20 km away. from Sverdlovsk. And he certainly took a guitar with him. Sasha's problems were mainly related to the military department, classes at which we started in the 2nd semester of the 2nd year. With a lush mane of hair, he had to say goodbye. But this is not the main thing. He was oppressed by the atmosphere of martinetism and the barracks. To somehow compensate for the stress, he often drew comics in the classroom or brought out the names of foreign rock bands in his calligraphic handwriting. And it was quite difficult to “mow down” from the military. By hook or by crook, he brought regular medical certificates from Cherepovets, which had to be confirmed at the student clinic. There was a case when, after the summer holidays, he sent a telegram to the address of the military department (and we didn’t even have a sign for it!) About his delay due to illness, for which he later got hit hard. In my third year, it seems, Sasha let me know that at the age of four he was taken to a psychiatrist because he mentally multiplied large numbers and got the correct result. Around this time, I began to notice symptoms of MDP (manic-depressive psychosis) in him, i.e. a sharp change in euphoria and depression, which, apparently, was a consequence of his nocturnal lifestyle, which he then led. He, as an artist, was given a small room in the hostel, near the toilet. He rarely attended lectures. I've only been to seminars, where I often nod off. Although Sasha was easy to communicate and behaved directly, he did not let anyone into his inner world. He did not tell anyone about his love affairs, although he did not hide about his passions. In the 3-4 courses, he was fond of Kiryanova (I think, Ira), in the last year - T. Avasyeva. His girlfriends somewhat resembled each other in their thinness, flowing blond hair and an elongated oval face. They vaguely resembled Nicole Kidman in her youth. Sasha condescendingly jokingly called me a quiet dissident because of my tendency to “tease the geese” with political anecdotes, reading semi-forbidden literature such as S. Alliluyeva’s “letters to a friend” or F. Roskolnikov’s famous letter to Stalin. Often I let him read my extracts from books. But I did not notice much delight from reading them. He was completely apolitical. Of the teachers, he most respected V.V. Kelnik, who taught a course in foreign journalism. Starting from the 3rd year, he wrote term papers, and then a diploma only from V. Kelnik. Sasha's closest relationship was with Zhenya Puchkov (he was a year older than us) and with Sergei Nokhrin (he was a year younger). Zhenya was the son of the chief prosecutor of Orsk. Sasha lived with him for the last two courses in the basement of the now famous Agafurov's house. By the way, the name of the merchant Agafurov is the regional psychiatric hospital, which is located near Yekaterinburg: Agafurov's dachas. It seems that they did not heat their semi-basement - it was always cold and damp there. And terribly run. The death of Puchkov in the autumn of 1987, I think, was one of the reasons for the death of Bashlachev. There was some kind of mystical spiritual connection between them. In the summer of 1983, a real opportunity loomed before Shurik to get into the army for a year after he went AWOL on the eve of the oath. My mother-in-law, Faina Mikhailovna, at that time worked as a psychotherapist in the Kirov military registration and enlistment office. She made Sasha a certificate with a diagnosis of cyclothemia (a sharp change in mood, depression), which freed him from going through training camps. By the way, the mother-in-law is still proud that Shurik slept on her bed for a month while writing his diploma. The last time I saw Sasha was in mid-December 1986, when he came to Sverdlovsk for almost a month on the occasion of the birth of his son Vanya. He was at our apartment, where he performed his famous songs. My children (the eldest was then 5 years old) still remember the little bells on his right hand. In the twentieth of December, I persuaded Sasha to give a home concert at the apartment of my friends. There were ten of us, including the now well-known Yekaterinburg poet and writer Igor Sakhnovsky. He has poems dedicated to the death of Bashlachev in his poetry collection (available on the Internet). Then Sasha showed me his passport, where on the back of the cover were drawn by the hand of A. Pugacheva a heart and a drop of blood ... "
After graduating from university, Bashlachev returned to Cherepovets and got a job as a correspondent for the Kommunist newspaper, getting into the party department. Nelli Nikolaevna said: “I suffered terribly. He did not have a soul for these Komsomol shock construction sites and youth brigades. Apparently, there was a clear division into topics, because not a step was allowed to step aside. And Sasha wanted to work in the department of culture or in the department of letters, which was then in charge of Lyudmila Mamchenko. They had an excellent relationship, he also had an internship there ... ”In addition to writing ideologically sustained articles, Sasha began to maintain his own column“ Seven Notes in a Notebook ”on the Horizon youth page. It was at that time a very avant-garde column in which he wrote an analytical article about the problems of the Rock-September group, spoke about the participants in the second festival of the Leningrad rock club and proposed creating a music center where rock musicians could rehearse and perform.
Later, the vocalist of the Rock September rock group Oleg Hakman said: “Bashlachev was a very chic poet with us. Everyone was happy. We have already recorded our songs. No one knew Sanya. What is a group poet? Nobody knows what it is. Me there with the bass guitar, Slavka…. This is clear. And what are the verses? And then only, after the passage of time… Sanya Bashlachev is a poet. We are the stars. Sanya in her arms, I remember, was carried to the hall on her birthday. He was exactly that poet - branded, real. And what he did later with the guitar is already really there ... “Let's get out of shit, Oleg! All this crap! Let's do something." Shevchuk is the same disease. Why were they snuggling with him here? Sanya is ideological too. What the hell is in his head. It was nonsense for him to write these hits. For him, it was not important at all. Although these hits are known all over Russia. "Hey, help! it’s very difficult for me alone ... ”- the genius wrote! Now I think that Bashlachev is a genius. Words, listen to the words:
The rain fills all the roads,
The sky is like a sieve.
My island was left on the edge
And no one swims here.
Where are you friends?
What happened to you
In a world as quiet as a dream?
Only farewell beeps
Your phone answered me.
Hey help!
It is very difficult for me to be alone.
Hey you understand
Which I don't understand myself.
This is genius. Not in the sense: the poet is a genius, but he is a genius in essence. He was ahead of his time. He came up with, told me: "Oleg, let's make an alphabet." With such an intonation, only Bashlachev could come up with an alphabet. intonation game. He felt all this - a word, a syllable, intonations - this is very important for a poet. And now Bashlachev is remembered. Although, in principle, they did not see him, did not know him, no one perceived him. The paradox is that life puts everything in its place in time. Now I understand why Sasha burned down. In general, he is also not a man of the metropolis. He was a kind, normal person who thought, one might say, while sitting there, on Engels.61 He saw more and knew more, he was a very smart and talented person. He saw, he knew everything. He is this life that we now live, he knew it, he already felt it. I am now singing these songs and they seem to have been written just about, just now. And 20 years have already passed. Here's what I think we need to focus on. Because we cannot evaluate ourselves. For people, Bashlachev is nostalgia, first of all. Because it was "Rock September", and without Bashlachev it does not exist. And maybe there is no Bashlachev without Rock September, because he absorbed it all, because for him, this period was such a starting point, such a platform - the House of Culture.
In 1984, Bashlachev resigned from the editorial office of the Kommunist newspaper, and in the same year he went to the St. Petersburg rock festival, and later, while visiting his friend Leonid Parfenov, he met music critic and journalist Artemy Troitsky. Bashlachev sang several songs, one of which was "The Time of Bells", and Troitsky invited Bashlachev to move to the capital. A few weeks later, Alexander took the advice, came to Moscow, where Troitsky took him to visit someone every evening, without fail giving Bashlachev the opportunity to perform his songs.
Intuition failed Troitsky. The listeners accepted Bashlachev's songs with enthusiasm, he played apartment houses in Moscow, and Leningrad, and in Siberia, and in Central Asia, writing many songs on these trips. The peak of his work came in 1985, during which the songs “Vanyusha”, “Passage”, “Egorkina Bylina”, “On the Life of Poets”, “Absolute Watchman” and “A Case in Siberia” were written. Bashlachev himself said that the songs simply “overshadowed” him, and he guessed the meaning of some lines months later. All these works performed by Bashlachev made an indelible impression on the audience. So, for example, the epic "Vanyusha" brought listeners into a stupor, showing the Russian soul turned inside out with all its contradictions, torn edges, ugliness and beauty. Bashlachev forgot about everything when he sang "Vanyusha", and the listeners, waking up with the last chord, usually noticed that the guitar was splashed with blood, as Bashlachev broke his fingers, making the listeners have tears in their eyes, and there was a feeling confessions in the heart.
It was thanks to the recordings from these concerts that Bashlachev's songs became known to a wide range of listeners. Bashlachev himself made only one studio recording of the album "Eternal Post" in 1986 at Alexander Lipnitsky's dacha on Nikolina Gora, but subsequently destroyed the original due to the fact that he was dissatisfied with the result. However, Lipnitsky kept a copy of this recording, and later it was published on cassettes and CDs.
Boris Grebenshchikov said: “Bashlachev made a very strong first impression. A collision with a person who has a gift by nature and who knows how to use it gives the impression that he looked into a burning stove. This inner heat, this choking stream always has a strong effect on anyone, it cannot but act. Everyone has this very gift, God's gift, just one in a hundred thousand brings it to mind. Bashlachev almost brought him down, although he could not, in my opinion, technically cope with him to the end. Everyone forgets when they say how great he was, that he never managed to frame himself rhythmically - so that he could be recorded in the studio, on good equipment. Its flow is very bubbling, very uneven. He was fundamentally unprofessional. For example, I sat at Lipnitsky's for several months, tried to write down something, but it didn't work out. Or rather, something happened, but not that, not quite that ... Because when he is even, he is not interested in himself. That's why he was a unique figure, he did not even fit into the framework in which he worked, he still got out of them. And to be honest, I couldn’t listen to him much ... "
In March 1985, Bashlachev's first public performance took place in Leningrad, during which he, along with Yuri Shevchuk, sang several songs at an unofficial concert in the hall of a medical school. A recording of this concert was later released in 1995 by Manchester Files under the title "Kochegarka". In the same 1985, at the studio of Alexei Vishnya in Leningrad, Bashlachev recorded the album “Third Capital”, and a year later he finally chose Leningrad as his place of residence, where he joined a local rock club, participated in the oral release of the magazine “Roxy” and worked in the well-known to all fans rock music of the boiler house "Kamchatka". Bashlachev wore three bells around his neck. A characteristic sound that is heard on most of his recordings is also the sound of bells on the bracelet worn by Bashlachev when he performed his songs with a guitar.
During January 1986, two recordings of Bashlachev's songs were made, subsequently considered by publishers as studio recordings - a recording at A. Ageev's home studio and a recording of a concert at the Taganka Theater. In May 1986, the last surviving song called "Cherry" was written in Cherepovets.
In early 1987, Bashlachev gave several apartment concerts, and from March to May he starred in the documentary film "Rock" by Alexei Uchitel. But in the process of filming, he unexpectedly refused his role, and frames with his participation were cut from the film. But later, the picture included some shots taken during Bashlachev's performance at the fifth rock festival, where Bashlachev received the Hope prize. After that, Bashlachev appeared at the festival in Chernogolovka near Moscow, and took part in the work on the film by Pyotr Soldatenkov "Bards of the passage yards." However, this time, for unknown reasons, Bashlachev again changed his mind about filming at the last moment. And in August, Alexander wrote his last song, which was not preserved, just as the attempt to professionally record Bashlachev's songs for the release of a record in the Leningrad branch of the Melodiya company failed.
Alexei Didurov said: “He appeared in my communal apartment in Stoleshnikovo a year before the explosive 1985 Artem Troitsky called the main obstetrician of domestic rock “I want to bring you a phenomenal guy from Cherepovets, he knows your songs, wants to show his own.” After hearing Bashlachev's songs, I realized that something had to be done. I called all my acquaintances on the radio and on TV with Theme, all the apartment parties - and the organization of home concerts did not linger for a long time. With mass media, everything turned out to be more difficult. Today, marveling at the number of superlatives and majestic pathos in the assessments of Bashlachev's work, I remember Sasha's white from anger and heartache, but his face and naively rounded eyes with a mute question, to which I gave a banal and useless answer: "Sasha, they are just afraid of you , because if they allow Bashlachev's genie to break out of the bottle, they themselves will have to collect bottles for food at the entrances, because then you will raise the bar of artistic quality to such a height that neither they nor their kind from their gang can take! Sasha laughed hoarsely - his voice was permanently broken at countless, endless performances at the capital's get-togethers. The metaphor of collecting bottles worked medicinally, since Sasha and I often earned our daily bread during his races with this very popular type of work in our circle. Only later I realized that any medicine needs to be changed over time, a person gets used to it, and it stops healing. And most of all - when trying to treat the word of the masters thereof, Lord, he himself did with the word what he wanted! Many cascades of rhyming per stanza, multi-stringed sound recording, I'm not talking about the burning content - after Sasha's concerts, people felt themselves scorched by the spiritual lava of the creation of Bashlachev's world. Our world, but explained, clarified and presented to us, like a judging mirror blinding to tears. Then, when Sasha was alive, I recounted to him several times my conversation with Okudzhava, at the end of which Bulat Shalvovich said: “Lyosha, everything will be published with you, you just need to try to live up to it.” Sasha did not live - they did not have enough strength to try, they went into songs.
In the last year of his life, Bashlachev clearly experienced an internal crisis, the causes of which remained unclear. Perhaps it was the inadequacy of the perception of the surrounding reality. He made repeated suicide attempts, one of which occurred on the eve of the fifth rock festival. In early 1988, Bashlachev gave several concerts in Moscow and planned new performances, but the concert at Marina Timasheva's apartment on 29 January 1988 proved to be his last performance. On February 17, 1988, Alexander Bashlachev, after returning to St. Petersburg, committed suicide by throwing himself from the ninth floor of an apartment on Kuznetsova Avenue. Later that year, his son Yegor was born.
Bashlachev left a completely unique legacy to his descendants. In a short period of time, he created more than sixty songs, the formation of the style of which and his poetic language was influenced by the song poetry of Vysotsky and Galich, the songs of Grebenshchikov and Naumenko, poetic experiments of the beginning of the century and ancient Russian epic poetry. Bashlachev created his own artistic world, the influence of which, in turn, is noticeable in many songs of the groups "Alisa", "Kino", "Kalinov Most" and many other rock bands.
In 1991, the publishing house "New Helikon" released a collection of songs and poems by Bashlachev "Pososhok", and since 1989, several dozen records, cassettes and CDs with concert recordings by Bashlachev, whose work has become one of the most significant phenomena in Russian rock music, have been published. . In his multi-layered, full of unexpected associations, paradoxical humor and virtuoso wordplay, bold rhymes and complex meter verses-songs, archaism and modernity, epic stories and the realities of rock life, frank buffoonery and high tragedy are intricately intertwined. Boris Grebenshchikov said: “It seems to me that he took more than he could already pull out, and overstrained himself. The Moscow intelligentsia raised him on a shield and carried him with a cry. Shouldn't have done it. It is very difficult to feel like a genius when you are still quite a young person. And now they tell him that he is a genius, but he has not yet managed to find his legs, has not had time to digest the material. If he knew more, he wouldn't have jumped out of the window. In my opinion, he was let down by the fact that a lot was expected of him. And it is half a year or more, a year is dry, nothing can be squeezed out of it. It's scary, I know. It’s scary… But I’m, excuse me, over fifty, I can live with it, because I know that it will pass, but he couldn’t know this at his twenty-seven years old…”
Alexander Bashlachev was buried in St. Petersburg at the Kovalevsky cemetery.
A documentary film "Death Flight" was shot about Alexander Bashlachev.
Used materials:
Site materials www.bashlachev.net
Site materials www.bashlachev.nm.ru
Site materials www.history.rin.ru
Site materials www.sashbash.ucoz.ru
The book by A. Golev and A. Murzich “The sign of bleeding. Alexander Bashlachev through the eyes of contemporaries»
