The works of Alexander Sergeevich Pushkin were on various topics. Most of them are poems. One of the poet's most famous works is the novel in verse "Eugene Onegin", written in 1823-1831. The remarkable thing about this novel is that it is written in a special “Onegin stanza”, which no one has been able to repeat.
All events unfolded around Onegin himself and the girl in love with him.
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Tatyana truly loved Onegin, she was the first to open up to him in her feelings. And after the main character rejected her feelings, she did not stop loving him. But years later, when Evgeny realized how he felt for her, Tatyana was married and could no longer be with Onegin (I love you, / But I was given to someone else; / I will be faithful to him forever.") Tatyana knows how to truly love and always remains true to her choice.
Despite the society in which the girl was brought up and lived, she did not like noisy balls, small talk, or coquetry.
But Tatyana was not the only girl in the novel. What was the beloved of Onegin's best friend like? Olga is Tatyana's younger sister. Sometimes they can be opposed to each other. She is sociable, playful, cheerful. Likes to be in noisy companies. But only behind the mask of fun lies emptiness. Olga does not know how to love and treats feelings superficially. She became the muse of the young poet: “She gave the poet his first dream to the young delights...”. But after Lensky’s death, Olga will mourn and very soon forget him “with a smile on her lips,” and almost immediately gets married.
She looks like an ideal girl, but she quickly becomes uninteresting to society because of the emptiness in her soul.
Tatyana and Olga Larina are sisters, but how different even the most related people can be. Sensitivity and emptiness, modesty and sociability. But at any time, such modest, but smart, loving girls like Tatyana will be the best wives and mothers, because it’s not for nothing that the author calls Tatyana a “sweet ideal.”
Updated: 2017-12-14
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A.S. Pushkin in his famous novel in verse compared the images of two girls. The comparison of Olga and Tatyana in the novel “Eugene Onegin” performs the most important function in the narrative: in this way the author shows Tatyana’s unusual features.
A comparative description of Tatyana and Olga Larin includes both similarities and differences. The similarities between the girls are evident in the fact that they are sisters, both young noblewomen who were raised in the same conditions. Both are sweet, innocent and simple-minded girls. However, these female images have much more differences than similarities.
Olga has a beautiful appearance, and the author emphasizes this in every possible way. Blue eyes, flaxen hair, smile, movements, voice that attracted people around her. The author says that Tatyana had neither sisterly beauty nor her “ruddy freshness.” He emphasizes Tatiana’s pallor; she is pale “like a shadow.”
Olga was younger than Tatyana, but she already knew how to behave in society. Olga is “always modest, always obedient, always cheerful as the morning.” She was a socialite, but Tatyana loved to spend time alone, she read novels in which she looked for love ideals. Olga, in reality, communicated with the opposite sex; the poet Lensky was crazy about her. However, Olga was fickle and flighty, which is always emphasized by the author of the novel in verse. Tatyana is a constant girl, even after the wedding she admits to Onegin that she has always loved him. Olga, after the death of her “adorator” Lensky, almost immediately forgets him and finds a replacement in the form of a lancer.
Tatyana did not like pleasures, she was bored playing with other guys, they considered her strange. Olga was the life of the party; she had many friends with whom she played burners.
The epithet “playful”, which characterizes the image of Olga, is contrasted with the epithets “wild, sad, silent”, which are associated with the image of Tatiana.
Olga's laughter never ceased in the house; she was a thrifty girl, the whole family loved her. Tatyana was the “wild doe” in the family, she was constantly sad. For her, it was not her mother who was closer, but her nanny.
Tatyana, unlike Olga, believes in “legends of antiquity,” which is why her image is so mysterious. It is she of the sisters who has symbolic dreams.
A.S. Pushkin, describing the beauty of Olga, says that her image is typical; these are the girls that are described in all novels. Therefore, he is already tired of this type; he does not want to describe Olga’s image in detail. He puts Tatyana, who is unlike anyone else, at the center of the story. He is attracted by the unusualness of the heroine; for him Tatyana is a “sweet ideal.”
In his opinion, the older sister is much more interesting than the younger one.
“Just out of diapers, / Coquette, flighty child!” - this is how A. S. Pushkin describes Olga Larina. There was not a drop of coquetry in Tatyana. The writer compares her with the heroine of V. A. Zhukovsky’s ballad “Svetlana,” whose image is silent and mysterious.
The image of Olga is typical of A. S. Pushkin’s contemporary society. Therefore, against her background, Tatyana becomes an unusual heroine, interesting for detailed consideration. By comparing two female images, the writer showed two types of girls who were almost completely different from each other.
This article will help you see the similarities and differences between the images of Tatyana and Olga Larin. She will help you write an essay “Comparison of Olga and Tatiana in Eugene Onegin.”
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STATE OF MIND:
Tatyana: she was withdrawn and silent, removed from society and even from her family: “she seemed like a stranger in her own family.” She liked peace and solitude more, in which she found a certain comfort, which was also decorated with her dreams. She was still a child at heart. She fell in love with the “deceptions of Richardson and Rousseau” - with novels that replaced everything for her. With their help, she created her own world, fictional and ideal, not like the real world.
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She did not understand THEM and THEY did not understand her - Tatyana was completely different from secular girls. Having fallen in love with Onegin, she suffered, worried, suffered, like the heroine of the French novels on which Tatyana grew up.
Olga: When reading the description of Olga in the novel, an image of easy ease is created. She is always cheerful, “like the morning”; simple-minded, “like the life of a poet,” simple. Even her movements and voice were light, and she was characterized by “ruddy freshness.” However, Onegin believed that “Olga has no life in her features.” She was not alarmed by anything - Pushkin in the novel does not talk about any of her mental anguish or tragedies. “Like windy hope, playful, carefree, cheerful.” At one ball, her frivolous attitude and frivolity, quite typical of many society ladies, are especially revealed: “Barely out of diapers, a coquette, a flighty child! She knows cunning, she’s already learned to cheat.” Olga reacted quite simply to Lensky’s death: “Yawning, she cried for a short time. Alas! The young bride of her sadness is unfaithful. Another captivated her attention.” And soon she got married.
Tatyana: Pushkin loved her very much, he could not stop writing about her. Even if we compare the description, the poet gave the older sister a more voluminous description, several times more than the younger one. Pushkin treated her very tenderly, with love and understanding: “Tatyana, dear Tatyana! Now I’m shedding tears with you.” And he admits, apologizing to the reader: “Forgive me, I love my dear Tatyana so much.”
Olga: In the very first lines of Olga’s description, Pushkin gives her a very pleasant description. However, he considers her flighty, frivolous, and eventually admits that he is very tired of her. Pushkin enclosed all her beauty in her appearance, but there was nothing left for her soul. She was not a bad person for the poet, he just saw her as empty.
COMMUNICATION, RELATIONS WITH SOCIETY:
Tatyana: The society to which her sister was drawn was alien to her. Since childhood, she “was a child herself; she didn’t want to play or jump in a crowd of children, and often sat alone all day silently by the window.” Even in the family, she felt like she didn’t belong; she didn’t consider the interests of society similar to her own. And “from the most lullaby days, thoughtfulness is her friend.” She was not looking for other friends.
Olga: She fit into secular society, was sociable, cheerful, in childhood the nanny gathered a wide circle of all her friends for Olga, they played happily. She belonged in this society, loved evenings, balls, was flirtatious with guys, friendly with her friends.
INDIVIDUALITY:
Tatyana: absolutely not like others. Even her name was used for the first time on the pages of a Russian novel. While others preferred fun, Tatyana chose solitude and reflection. She was incomprehensible to everyone, she tried to understand herself and life, she was often sad, she was “wild” (as the author writes) in the sense that “alien, unknown to people.” She was an excellent dreamer.
Olga: Pushkin says that Olga is “as sweet as the kiss of love, eyes like the sky, blue, smile, flaxen curls, movements, voice, light figure - everything in Olga...” However, you will meet such a person in any novel, there are plenty of them, that’s why Pushkin was immensely tired of it. He had met her more than once on the pages of books. Olga is the same as everyone else, influenced by public opinion and the desire to join secular society.
INTERESTS, FAVORITE ACTIVITIES, EDUCATION:
Olga: loved fun, holidays, balls, activities of the secular youth of that time, games and amusements, entertainment, fashion, girlfriends. Raised by society, adjusted to its laws.
About Tatyana Larina, A.S.’s favorite heroine. Pushkin, the reader knows much more than about her sister Olga. These images are not antipodes, but they so accurately reflect the author’s attitude to the role of women in noble society that they are perceived only in comparison, less favorable for Olga than for Tatiana.
Olga Larina- a literary character in the novel in verse “Eugene Onegin”, the younger sister of the main character of the work Tatyana Larina, a typical representative of the noble environment, who inherited her morals and moral values.
Tatyana Larina- the main character of the novel, who became the embodiment of the best human qualities and the moral ideal of the poet, who endowed her with exceptional virtues and integrity of character.
They are almost the same age, raised in the same conditions, surrounded by the love and care of loved ones.
But Olga grew up as an ordinary girl, a little spoiled, but cheerful, eagerly perceiving the world around her in all its manifestations.
From an early age, Tatyana was distinguished by her reticence, did not like noisy games and entertainment, listened with pleasure to her nanny's stories about the old days, read the novels of Richardson and Rousseau, dreamed of romantic love and waited for her hero.
The meeting with Evgeny Onegin shocked Tatiana and awakened a deep feeling in her inexperienced heart. Love revealed in her extraordinary strength of character, fostered self-esteem, forced her to think, analyze, and make decisions.
Tatyana's simplicity and sincerity are not perceived as weakness. Only an extraordinary woman could preserve these qualities in the false splendor of palace halls, accepting secular flattery and the pompous arrogance of high society with equal indifference. This is exactly how Evgeny Onegin saw her years later, who did not consider in young Tatyana the spiritual subtlety and selfless readiness to share any fate with him.
Olga is also capable of love, but her feeling for Vladimir Lensky is neither deep nor dramatic. She is prone to coquetry and gladly accepts the advances of Onegin, who decided to annoy his friend for the awkward situation in which he had to explain himself to Tatyana, refusing her naive confession.
Lensky’s death did not overshadow Olga for long: a year later she got married and left her parents’ house quite happy.
Tatyana's marriage became a deliberate step: having no hope of Onegin's reciprocal feelings, she gave her consent to a man with undoubted merits. She learned to value and cherish her husband’s honor above all else, not wealth, not social splendor, but the honor of her husband, despite the emotional drama of which Eugene Onegin remained the hero.
Essay on the topic “Comparative characteristics of Olga and Tatyana” 4.67 /5 (93.33%) 6 votes
Pays much less attention to Olga than to Tatyana. Tatyana Larina is described with all psychologism, in contrast to Olga, who is a typical heroine of Western sentimental novels. He treats Tatyana with sympathy, but describes her character without embellishment. Tatyana is a heroine who is beautiful, first of all, with her soul. She learns from her mistakes, unlike Onegin, she knows how to change, but at the same time she is faithful to her principles. Tatyana expresses all the features of an ideal Russian woman according to A. The girl is close to the author in thoughts and worldview.
Olga is unlike her sister. Her image emphasizes the depth of Tatyana’s image, contrasting a cheerful, silly girl with a thoughtful woman with a huge and complex inner world. Tatyana initially appears as a dreamer detached from the world, but as her image unfolds, we see that Tatyana is a realist and not insensitive. Olga, who initially attracted the reader with her cheerful disposition, reveals herself to us as a carefree girl who does not understand serious things. The author describes Olga as a porcelain doll - an ideal girl, cheerful, beautiful... but nothing else. Olga has a poor inner world, and although she also has positive qualities, the image of Tatyana is still a real woman with whom you can connect your destiny, start a family and raise children. With Olga you can only have fun and have a short romance. skillfully describes the cloying image of Olga. A woman full of virtues is a picture, not a living person. He thinks so, and he skillfully expressed his opinion by describing the female characters of the novel, the heroes of which chose Tatyana.
In conclusion, we can say that I conveyed the depth of Tatiana’s image, showing it through the prism of Olga’s image. Both images are found today, but, unfortunately, there are fewer spiritually deep ones. Monotony is boring, Tatyana’s image is not the only true one, you just need to strive so that your worldview and principles are closer to the ideal and do not harm either you or others.
It is also important that even the morally pure Tatyana also turned out to be a victim of that “disease” of the entire nobility, which Klyuchevsky would later call “intercultural inter-mind.” Evgeniy really suffered seriously from this “disease”. Symptoms of the “disease” are contempt for one’s culture, loss of roots. In Europe, the Russian nobleman was not accepted; he was still alien. And it turned out that a whole generation stood in the middle of the river, because both banks turned out to be strangers. Tatyana, nevertheless, remained, unlike Evgeny, on a moral high ground: “but I was given to someone else and I will be faithful to him forever.” She remained a “Russian soul.” The closeness to the people and the simple village wisdom absorbed from the nanny’s stories had an impact here. Even if she finds herself in high society, Tatyana remains internally a real Russian woman who truly understands the importance of duty. Her morality, despite the all-encompassing “disease” of the nobility, comes from the people, from provincial simplicity, but no less honest and wise simplicity.
