The game "Mortal Kombat", which first appeared in the late nineties of the last century, not only became a real sensation in the so-called "fighting" games, but also gave birth to many cult characters, one of which was the legendary Sub-Zero - warrior, ninja and assassin. This article tells you how to draw Sub-Zero and also gives step-by-step instructions.
This amazing character was specially designed for the Mortal Kombat game as a unique hero, combining all the features of ninja warriors, assassins and simple warriors. Sub-Zero not only became one of the most popular heroes in the game, but was also able to transcend its boundaries, becoming a cult character for many people.
It’s not at all difficult to portray your favorite hero of such a beloved game. This will only require a little effort and some perseverance.
You don't have to be able to draw well or be a professional artist. The main thing is to follow the instructions and diligently carry out the work at each stage. Then anyone will be able to cope with the task and draw Sub-Zero from Mortal Kombat for themselves or their child.
Since the warrior figurine is fixed in a fighting position, it would be better if the draftsman first depicts it in the form of a frame skeleton with spherical ends of the arms and legs. This will allow you to immediately find out whether the combat pose is indicated correctly. This means you can’t make a mistake in completing the task of how to draw Sub-Zero believably.
The second stage will be drawing the fighter’s equipment: it is necessary to depict his heavy vest and gloves. It's also worth turning the spherical ends of the arms into cylinders, which will allow for faster detailing in the future.
How to draw Sub-Zero from Mortal Kombat without his main striking part? No way! Therefore, the third stage will be working with the lower half of the drawing. It is necessary to highlight the character's pants and boots, and also indicate the belt.
Much attention should be paid to the mask, since it is not just a protective element, but helps the hero breathe. In this regard, it is necessary to highlight a number of important features, such as special breathing holes and a pronounced triangular shape.
Now you can start putting the drawing in order. To begin with, you should erase all auxiliary or rough lines and make the image as clean as possible, highlighting the contours of the character’s silhouette in a bolder color. Next is to work on the detailing of the drawing. The first step is to carefully draw Sub-Zero's expressive mask, then pay attention to his facial features, depicting a frowning brow and a stern look. Later, draw the loincloth, and also draw the folds on the pants and sleeves of the jacket. The clenched fists can be made darker to show the roughness of the fighter's skin.
Now that the artist understands how to draw Sub-Zero, it’s worth thinking about coloring the drawing. You can copy the hero's clothing colors from the original costume colors presented in the game. Or give free rein to your imagination and create your own unique version of the famous warrior.
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In this lesson you will learn how to draw Sub-Zero from Mortal Kombat step by step using pencils and colored pencils. We hope you like it) Draw with pleasure and click Thank you!
In order to draw Cyber Sub-Zero, you need to start with a circle for the head, then a shape for the torso and lines for the legs and arms.
Now you need to draw a mask on Sub-Zero's face.
Continue drawing the mask on the head, but also draw the eyes.
Now you need to draw a mask on the cheeks and ears.
Add detail to the cheekbones and back of the helmet
Move on to the torso, start drawing the armored ring on the chest.
Now detail the collarbone on the Sub-Zero's torso.
Continue drawing the plates on the chest, this is the Sub-Zero armor.
You need to draw the shape of the pelvis and torso.
Detail the torso and pelvis of Cyber Sub-Zero as shown in the picture.
Let's start drawing the leg.
Now draw in the armor plates from the thigh, and repeat on the second leg.
Here we are starting the armor up to the lower legs and we will be filling in the inner thigh area with tube like molds for the facial muscles and tendons.
We finish drawing the lower part of the legs.
Now let's move on to the upper body.
We're going to be faced with some overlap in the shape, so we'll use guide lines and start drawing out the back of each side, along with the armored knuckles.
Now draw the fingers and palms folded into a fist.
Now for the forearms. Each formation has a small, cylindrical shape circled around the elbow area. The armor plates start at the wrist, and fit smoothly around these figures.
Adding detail to the forearm...
Now we can connect the forearms to the shoulder, resting the biceps and triceps, adding some basic panel lines for detail.
Add a second diamond to each small armor on the shoulders. Behind these, draw larger shoulder slabs as well as shapes like diamonds. Complete with small armor panels on either side of the neck.
For the final shape, draw in some dreadlocks. I can't imagine these serving any purpose on a robot, but they look pretty cool. Instead of just having them hang like palm leaves, let's try to give them life by using different shapes, and overlapping some of the dreadlocks. This will really add some action to this pose. ABOUT! If you stop here, be sure to remove any overlapping lines on your face.
You could call it done here, but I suggest at least adding subtlety to the helmet and neck. The stomach plate should be filled, as well as the muscle threads below the shoulders.
If you have the time and patience and really want to add something special to the drawing, sit back, relax and start adding details throughout the body. Pay attention to the shadows where the muscle threads meet the armor, as well as the neck. It does add some dimension in those areas. Reinforce the outlines of the armor plates, and also add some rectangular cutouts for added complexity. Dust and scratches are a good way to define the shape into large, empty, white spaces. Some dirt stains also help break up the sterile, mechanical drawing and make the character seem a little more tangible.
I hope you, you enjoyed this lesson.
Hello everyone, the Drawingforall website team is here, and today we have prepared for you a new step-by-step drawing lesson. We know that many of you have long wanted to know how to draw Sub-Zero step by step, and now, a lesson dedicated to this topic is already ready and waiting for you!
Of course, it would be cool to start the tutorial with some sonorous phrase, under an article about, for example, his chant “Come here!” would look great, but our ice warrior, alas, is always silent (by the way, let’s note that we are drawing today classic Sub-Zero the elder).
Although the author of this text heard the quiet hiss that sounded when Sub-Zero appeared in the footage of the excellent film “Mortal Kombat,” it is very difficult to convert these sounds into text, and there is a chance that it was a simple defect in the cassette. Well... anyway... let's begin!
First of all, let's outline the general proportions and pose of the ice ninja. Notice that our Sub-Zero is standing in a waiting position - he crouches slightly, his arms are bent at the elbows, his head is slightly tilted forward. We start drawing from the head - we denote it with an oval, and with light lines we outline the arms, torso and legs. Let us recall one of the basic rules of proportions - the height of the average person is equal to seven heads, but due to the massive mask of our hero, his head looks a little larger.
This step is done with very light strokes so that in the future you can erase all the auxiliary lines, but please do not forget about its exceptional importance - this is the basis of our drawing, the foundation, errors in which will be almost impossible to correct in the following steps.
At this stage we add volume to our drawing, and we will start with the torso and arms. But first of all, let's outline the line of the eyes and, with a light stroke, mark the back of the neck (the line of the eyes should run exactly in the middle of the head). Next we sketch out the upper part of the vest - katagina. In further steps, we will try to visually convey its design and texture - it is made of a rather stiff fabric. Next, we sketch out the hands - the right palm is clenched into a fist, and the left is open. The easiest way is to imagine and depict each hand in the form of a cylinder, this way you can more accurately define their volume and shape.
Now let's work on the volume of the lower body. We sketch out the belt with two slightly curved lines, as well as the lower part of the katagina in the form of an even elongated rectangle. Now let’s work on the legs and outline their outlines with cylinders. We denote the knees in circles. sketch out the feet - notice that the right foot is facing us, and the left one is turned sideways. This step is also drawn with very light strokes, so that later you can erase all the auxiliary lines.
So, we are done with the initial stages, now we are starting to draw our Sub-Zero, and we will start, as always, from the head. We give the upper part of the previously drawn oval the shape of a head (do not forget that the head is not round). We make the stroke with which we previously marked the neck a little wavy to create folds, because the wide part of the mask, which lies on the neck, forms a large number of them. Next we draw the outline of this massive mask. We finish the stage by drawing a few more folds that form on the front of the neck and extend from the chin down and to the left.
Now we draw the character's head in detail. Let's start with the eye, focusing on the previously outlined auxiliary line. Don't forget to draw the fold of skin under the eye, which is formed from the fact that our Sub-Zero is looking forward very intensely and intently.
We draw an eyebrow and a wrinkle above it, which will give the look a more menacing and warlike look. When you start drawing the ear, pay attention - its upper edge should be level with the eyebrow, and the lower edge should be at the level of the tip. Just below the ear, a dash indicates the jaw, which is tightly covered by the fabric of the mask. Now we draw the front part of the mask. Next, draw the folds from the bottom edge of the mask, which are located just below the neck; it is best to denote them with short lines. All that remains is to do a little work on the vest - in the last stage we almost drew it, all that remains is to give it its final shape.
Notice how this part of the costume rests on the shoulders; another notable detail is that the belt in the middle of the belly is slightly wider than at the sides.
At this stage we will draw the hands. Let's start with the deltoid muscle of the right arm (the left deltoid is hidden by the suit) - draw it in a semicircle, and then the triceps and the rest of the arm. Pay attention also to the left arm - it is much more tense than the right, which means that the biceps should be depicted in a shortened position (it is the biceps that is responsible for bending the arm).
Next, we draw the muscles of the forearms - and here the right arm, tense from clenching a fist, will be more voluminous. Note also that as you approach the hand, the forearms become smaller. We draw the arm ruffles using arcuate lines. Don't forget to draw the folds of fabric that form on the inside of the elbow - they will add realism to the drawing and emphasize the bent position of the arm. We complete the step by drawing the hands. Don't forget to outline the knuckles and tendons on the fist, and also draw the palm and move on.
So, we are done with the upper part of the body, all that remains is to draw the legs and sketch out the shadows - a lesson dedicated to how to draw Sub-Zero, comes to an end. So, we have already outlined the pose of the legs, and gave them volume in the previous steps, now let's move on to the details. As noted, the pants are quite loose, but they still convey the shape of the legs, so be sure to indicate the visible thigh muscles and calf muscles. Now about the folds of the fabric - they form in places where the fabric is strongly stretched or, conversely, compressed. It's just a matter of small things - draw them on the inside of the thighs and at the knees. In the same step, we draw wide strips of fabric that are tied around the shins of our iceman (we draw them crosswise, not forgetting about the volume of the legs). Draw the feet and move on.
The last stage remains - applying shadows, but first we need to remove all the remaining auxiliary lines and unnecessary strokes. Now let's look at our Sub-Zero and determine where the light is coming from. Having looked a little closer, we understand that the light source is behind the warrior’s back, and in order to convey this we paint over the head and body inside, leaving a strip of an unpainted outline.
Let's start with the head - turn the pencil so that we draw not with the tip, but as if flat. Using very light and even movements, paint over the head and chest, up to the waist, leaving the above-mentioned outline unpainted. To make drawing large shadows easier, break the process into two stages - first, use very light lines to outline their outline, then paint over it. Then shade the catagina - it is painted over with the same light and barely noticeable strokes. But the arms and legs should be much darker - by the way, pay attention to how the artist outlined the muscles and folds. To make them more realistic, we paint over their contours the most.
This was a step-by-step drawing lesson prepared by the Drawingforall website team. How did you go with our tutorial?
Drawing with the palm and other parts of the body happens like this...
It is necessary not to teach drawing, but to develop the child’s creative abilities. To do this, you must first of all show him the possibilities of paints, pencils, plasticine, etc., this includes tracing the outline of your arm or leg with a pen, and leaving marks on paper with your fingers dipped in paint (like drawing legs on the frozen glass of a bus, you know? ) and sticking plasticine balls onto cardboard to make a mosaic and much, much more. But with the banal “dot, dot, two hooks” - it’s better to wait, but from the age of 4 you can ask your child to copy a painting by a famous artist (preferably a simple one, maybe even a portrait, landscapes are usually difficult). You will receive enormous pleasure from the result, I assure you. And this will be real creativity, and not the result of parental efforts to drive in a certain pattern.
So that the child can fully appreciate the capabilities of each tool, it is better not to give paints and markers, plasticine and pencils at the same time at first; it is better to start with gouache (pour paints into the caps, because it is difficult for the child not to mix them all). For work you will need: water, a palette, a rag, a brush, preferably good quality N 5-6, paint other than black, otherwise it will immediately ruin everything.
This is a long topic, but first of all I would advise you to put away the markers, they really spoil your apartment and things, and try to buy inexpensive fat pastels, just ask them to give you a try on paper, because... very often wax crayons and pastels leave a pale, ragged mark and require strong pressure, which is uncomfortable and infuriates the child.
If you are interested in something specific, I am ready to help you. What is written here is the result of my personal observations and practice, as well as communication with professional art teachers, whose students’ works aroused my deep envy.
If the child does not draw circles, draw them yourself, and ask him to fill them in from the inside, here Rimma, it seems, wrote about the paintings - half are reproductions, half are the child himself. This is also a push to start, but it’s important not to hang around for too long at this stage.
Of course, a lot depends on the age and character of the child. According to my observations, boys, surprisingly, are more sensitive to color, and girls - to shape, so it is quite possible that a boy will simply draw blots and stains for a long time, and a girl will prefer drawing with a marker. Although, of course, the opposite situation is also possible. These are just children with different types of perception.
The main thing is not to force things, so as not to discourage drawing in general. Let him create as he wants, if a child likes to color toys with a pen, then let him, this is also creativity, they can also glue eyebrows out of cotton wool, make collars out of paper and hair out of threads, and they can also be covered with plasticine and sprinkled with beads. and beads. And painting the bathtub is brilliant! The main thing is to sincerely admire the result, maybe take a photo of this bath (and it is advisable to quickly take a photo while the child remembers), take a photo of the painted child, put it in a prominent place and show the grandmother (if it is not her gift) the painted doll. In the end, we don’t ask a ceramist why he doesn’t paint, well, he doesn’t want another way of expressing himself.
And in general, the more you yourself become interested in the process, the more likely it is that your child will be interested. And do not demand that the work be completed in one go; this may be an overwhelming task for a child. In general, the main thing is not a bit of violence. You allow your child to experience the joys of creativity, rather than trying to persuade him to create. However, when you wash the telephone from plasticine, you begin to understand that in essence it is so.
